#if you need your female characters to be perfect just say you’re boring

[thatrandomblogsays]

Love complicated mother characters. Love when a mother brings her child to an execution but covers her eyes to spare her the gore. Love when they nitpick their daughters but also ran a pyramid scheme on an entire town to save them from poverty. Love when they can’t say I love you but steal a throne to keep their child safe. “She’s awful! She’s a bitch! She deserves the worst.” Shut up. She’s amazing. She’s complex. She’s iconic. She’s an ocean of emotions and experiences. She’s full of rage society will never let her express. She’s a little girl who never got rescued.

[cheynovak]

Broken Hero

Characters: Soldier boy x Y/N Female character     

Summary: Soldier boy and Y/N are on a mission and stranded in a cabin. They at first don't seem to like each other, until Y/N admits she had a crush on him as a teenager.

Warnings: Virgin reader, mentioning first time.

English is not my first language 

*Please do not copy my work, reblog/comments/likes are appreciated* 

The cabin was small, rustic, and isolated — everything that could drive Soldier Boy mad within minutes. The walls were thin enough that the cold seemed to seep through despite the roaring fire in the stone fireplace. Y/N sat on the worn leather couch, staring at the fire, her thoughts distant and steady, but Ben paced around the room like a caged animal.

He hadn’t stopped complaining since they’d arrived.

“Damn Vought and their shitty ideas. Babysitting duty, really?” Soldier Boy grumbled, shooting her a look. His green eyes narrowed, sizing her up. “What’d they think, huh? You’re some precious little thing I need to protect?”

Y/N didn’t flinch under his gaze. After working with Vought since she was eighteen, she’d become well-practiced in handling all kinds of egos. Soldier Boy’s was just another variation of the same thing: pride wrapped in cynicism. Still, the teasing glint in his eyes was unmistakable. He was poking at her, testing her limits.

"It’s not that bad," she replied with a calm shrug. "Could be worse. At least it's quiet here. No cameras, no prying eyes, no Vought telling to straighten up you back and show them your fake smile that breaks peoples hearts."

He scoffed, crossing his arms. "Sure, quiet. Just what I want. Some boring-ass cabin with a baby." His lip curled into a smirk as he moved closer to her. “And you—what, you think you can handle this mission? Out there in the wild? Pretty little princess like you?"

The nickname made her tense slightly, but she kept her cool. “I don’t mind the quiet, Ben. I’m used to it, I like to keep to myself.”

Soldier Boy snorted. "Oh, I bet you are. The perfect American sweetheart routine doesn't work on me Princess. So don’t give me that. You work for Vought, sweetheart. You’re not fooling anyone with that good girl act of yours. Bet you’re as dirty as the rest of them, hiding behind that pretty smile. How many skeletons in your closet, huh or should I say men in your bed?”

His words stung more than they should have, but Y/N had gotten used to people assuming the worst about her simply because of her affiliation with Vought's heroes. She raised an eyebrow, keeping her tone even. “And what makes you think I have secrets, Soldier Boy?”

“Oh, come on,” he taunted, stepping even closer, invading her space. “You’ve been with Vought since you were what, eighteen? I know how it goes. They chew you up, spit you out, and in between, they turn you into something filthy. All of you cheap young women. Bet you’ve got some dirty little secrets you’d never admit to. You’re not as innocent as you pretend to be."

She exhaled slowly, trying to maintain her composure. There was a glint in his eyes, daring her to break, to snap back. He was testing her again.

But instead of responding with the anger he seemed to expect, Y/N leveled him with a calm, steady look. Her voice dropped slightly, serious now. “You really want to know my secret?”

That caught him off guard. His teasing smile faltered for a second, but he recovered quickly, smirking again. “Sure, princess. Let’s hear it. What’ve you been hiding?”

Y/N swallowed, her heart pounding in her chest. The truth had never come easily to her, especially this truth. For three years, she had managed to keep this part of her hidden from everyone at Vought. But now, something in her snapped. Maybe it was his constant teasing, or maybe it was the fact that Soldier Boy, in all his arrogance, was standing there acting like he knew everything about her.

She straightened her spine, looking him dead in the eye. “I’ve never slept with anyone.”

That shut him up.

Soldier Boy blinked, his smirk vanishing entirely as confusion flickered across his face. “What?”

“I’m a virgin, Ben.”

He stared at her for a long moment, the silence stretching between them, thick and tense. His green eyes searched hers, as if trying to figure out if she was messing with him. But her expression remained serious.

“No fucking way,” he muttered, stepping back a little, genuinely taken aback. “You’re… serious?”

Y/N nodded, biting her bottom lip nervously. “I’ve worked for Vought since I was eighteen. I’ve been around all kinds of people, been in all kinds of situations… but I’ve never slept with anyone. Ever.”

His disbelief was palpable, and he shook his head, pacing for a moment as if trying to process what she just told him. “But you… you’re fucking gorgeous. Smart. You’re the whole damn package. Guys should be falling at your feet, begging for a chance to fuck you.”

She couldn’t help but smile a little at that... compliment? Though her heart still pounded in her chest. “They have. I just… never wanted to. I was waiting for the right person.”

Soldier Boy stopped pacing and looked at her again, his expression softer, less cocky. “And… what, you still haven’t found him?”

Y/N hesitated, her eyes flickering to the floor for a moment before she met his gaze again, her voice soft but steady. “I have. well I mean... I always dreamed of losing it to... one specific person.”

The silence that followed was thick and heavy, the weight of her confession hanging in the air between them. Ben, for the first time in a long time, looked genuinely speechless. His cocky persona shattered completely as he stood there, staring at her like she had just flipped his entire world upside down.

“You’re kidding, right?” he asked, his voice lower now, more serious. “Me?”

Y/N nodded, her heart in her throat.

“I’ve wanted you since I first saw you when I was a young teenager. All the bravado, all the toughness… I saw through it. There’s more to you. or so I thought. And… I wanted you to be the first.” She looked back at the floor.

For a moment, he just stood there, processing her words. Then, slowly, a small smile tugged at the corner of his lips. It wasn’t the cocky, arrogant grin she’d grown used to — it was something softer, something real.

“Well, shit,” he muttered under his breath, his voice huskier now, filled with something she hadn’t heard from him before. Respect. “You’re full of surprises, aren’t you?”

She smiled softly, her nerves finally starting to ease. “Guess I am.”

Soldier Boy stared at her for another moment, and then, slowly, he moved closer again, this time without the teasing edge, without the bravado. There was something different in his gaze now, something warmer.

The cabin’s warmth didn’t seem to reach Ben as he stood there, staring at Y/N, her confession still hanging thick in the air. His smirk faded entirely, and for a moment, he just looked… confused. Out of his element.

“Look,” he began, his voice unusually quiet, “I don’t think I’m the right guy for something like that. For your first time I mean.”

Y/N’s heart clenched at his words. She had spent so long imagining this moment, wondering how it would go, but now that she was face-to-face with the reality of who Soldier Boy really was… he wasn’t the man she had dreamed of. Not anymore.

She bit her lip, a small sigh escaping her as she looked down at her hands. “Yeah,” she whispered softly, “you’re probably right, I mean now I've met you.”

Ben’s brow furrowed, and he stepped closer, an edge creeping back into his voice. “Wait—what the hell do you mean, ‘now you met me’?”

Y/N glanced up, meeting his gaze again. His green eyes were hard, defensive, and she knew she had touched a nerve. But she didn’t back down.

“When I was younger, I had this idea of you,” she admitted, choosing her words carefully. “I thought you were brave. Strong. A hero. A man worthy of… of a girl’s first time.”

Ben’s jaw tightened, and she could see the flash of anger in his eyes. “Oh, I get it now,” he muttered, crossing his arms.

He growled, taking another step forward, his voice growing more heated. “You think you’re the first girl to look at me like that?"

She looked up at him, her expression softening. “No, Ben—”

He cut her off, his words dripping with arrogance and frustration. “I’ve been a lot of girls’ first time. You think you’re special because you had some dream about me when you were younger? Trust me, sweetheart, that’s nothing new.”

Y/N took a deep breath, steadying herself. “Exactly my point,” she said quietly, her voice cutting through his defenses like a knife. “That’s exactly why I’m glad I never acted on it. I had this image of you… this larger-than-life hero. But now that I know the real you—”

“What?” he interrupted, his voice harsh. “Now that you know I’m arrogant? Filthy? Rude? Selfish? What did you expect, Y/N? That I’d be some goddamn knight in shining armor? That I’d live up to all your little fantasies? That I would buy you flowers and open the door for you, news flash love, holding the door is just an excuse for men to look at your ass!” His words were sharp, mocking, but beneath it all, there was something more — something raw and real.

Her eyes softened, but she didn’t back down. “No. I expected you to be a man who cared about something. About people. About more than just yourself.”

Ben stared at her, his anger simmering beneath the surface. He clenched his fists at his sides, the tension in his body palpable. “I saved this fucking country,” he spat, his voice low and dangerous. “I gave everything to this goddamn place, and what did I get? I can play fucking babysitter. So forgive me if I don’t give a shit about your sweet little daydreams of what a hero’s supposed to be.”

Y/N held his gaze, unflinching. “I get that, Ben. I do. But it doesn’t change the fact that you’re not the man I thought you were. And honestly, that’s okay.”

He barked out a laugh, cold and bitter. “Oh, yeah? How’s that okay?”

"Maybe the man I thought I wanted… isn’t what I need.”

Ben’s jaw tightened, his teeth gritting as he stared at her, his frustration boiling over. “You’re just like everyone else,” he growled. “You put me up on a pedestal, and when I don’t live up to your perfect little picture, you toss me aside. Fucking typical.”

Y/N shook her head, her expression calm despite his anger. “I didn’t toss you aside, Ben. I just… I just see you differently now. I see all of you.”

He paused, his eyes narrowing. “And what the hell do you see, huh?”

“I see someone who’s been hurt,” she said softly. “Someone who’s been broken down and built back up in a way that no one could ever understand. I see someone who’s angry, who’s bitter… but I also see someone who’s still trying. Even if you don’t realize I see it.”

Ben blinked, the heat of his anger suddenly cooling. He stood there, staring at her, the tension between them shifting again, this time into something quieter, something deeper. For a moment, he didn’t say anything, just letting her words settle over him.

Then, finally, he spoke, his voice lower, more honest than it had been before. “You really think that’s what I am? … Broken?”

She shook her head, stepping closer to him. “No. I think you’re still figuring out who you are outside of the war. And I think it’s okay to not have all the answers.”

Ben stared at her for a long moment, his arrogance slipping away, leaving only the man beneath. The real Ben. Not Soldier Boy, not the legend, not the hero from the posters. Just him.

For the first time, he didn’t have a quick retort, no cocky comeback. He just stood there, looking at her with something almost like vulnerability.

“Guess I’ve never been close to that guy, you dreamed of huh?” he said quietly, his voice tinged with a rare hint of self-awareness.

Y/N smiled softly. “Maybe not. But that's ok.”

The words hung in the air between them, and for a moment, the only sound in the cabin was the crackling of the fire. Neither of them moved, the weight of the moment heavy but somehow not uncomfortable.

Then, with a slow exhale, Ben ran a hand through his hair, shaking his head slightly as if trying to clear the thoughts from his mind. He turned to the window, looking outside. “Hell of a way to spend a mission,” he muttered, a small, wry smile tugging at his lips.

Y/N chuckled softly, the tension between them easing as she let out a breath she hadn’t realized she’d been holding. “Yeah, I guess it is.” Ben stayed quiet for a second.

Until he looked at her over his shoulder, his eyes softer now, more thoughtful. “You really waited... for me. Wanted it to be me?”

She nodded, her voice gentle. “Yeah. I did.”

Ben let out a low whistle, shaking his head in disbelief. “Damn. Guess I owe you an apology for all the shit I said earlier.”

Y/N smiled. “It’s okay. I think we both had some expectations to work through.” Ben chuckled, the sound rough but genuine. “Yeah, no kidding.”

For a brief moment, the arrogant facade he wore like armor slipped away, and Y/N saw the man beneath — complicated, wounded, but still human. And maybe, just maybe, still capable of becoming more than the legend that had trapped him for so long.

Y/N stood up from the couch, her body moving almost on instinct as she walked toward Ben. He was standing by the window, arms crossed, leaning against the wall, staring out into the swirling snowstorm, his broad shoulders tense as if the weight of the world still rested there.

She hesitated for a moment, her heart racing, before she gently placed a hand on his shoulder. The tension in him softened at her touch.

"It's kind of beautiful, in a way," she murmured, her eyes drawn to the chaotic dance of snowflakes outside. The storm was wild, unpredictable, but there was a strange sort of peace in the way it blanketed the world in white. The isolation of the cabin, the quiet fury of the storm—it all seemed to mirror the whirlwind of emotions they had just unraveled.

But Ben wasn’t looking at the storm.

He turned his head, his green eyes locking onto her. There was something different in his gaze now. Gone was the cocky arrogance, the biting sarcasm.

"Yeah," he murmured, his voice soft, almost reverent. "Yes, it is."

But he wasn’t talking about the snow.

His eyes were fixed on her, the weight of his stare almost overwhelming. Y/N felt a flutter in her chest, a warmth spreading through her despite the cold storm outside. She realized, with a quiet breath, that Ben wasn’t looking at the snowstorm at all. He was looking at her.

The silence between them stretched, thick with unspoken things, and for a moment, the world outside seemed to fade away. All that mattered was the space between them, the slow understanding that passed through his eyes as he gazed at her like she was the most unexpected thing he'd ever encountered.

She noticed the shift, the way his expression softened, the way his eyes lingered on her lips for just a moment too long. Her breath caught in her throat. Before she could say anything, Ben leaned down, his hand moving to gently cup the side of her face.

He kissed her.

It was unexpected, but not unwelcome. His lips met hers with a tenderness that surprised her, a slow, deliberate movement that contrasted everything she thought she knew about him. The kiss wasn’t forceful, wasn’t driven by his usual arrogance or lust—it was something softer, something that felt like a quiet acceptance of the truth they had just laid bare between them.

Y/N’s hand moved from his shoulder to rest against his chest, feeling the steady beat of his heart beneath her palm. She kissed him back, her body moving instinctively closer to his as the storm outside raged on, oblivious to the warmth blooming between them.

Ben’s hand tangled gently in her hair, pulling her just a little closer as the kiss deepened, his thumb brushing against her cheek. He tasted like warmth and whiskey, the rough edges of his usual demeanor melting away into something almost tender, almost… sweet.

When they finally pulled apart, both of them were breathless, their foreheads resting against each other as the moment lingered. Ben’s eyes searched hers, as if trying to find the words that had escaped him.

Ben’s forehead remained pressed against Y/N’s, their breaths mingling in the quiet aftermath of the kiss. The air between them felt heavy, charged, but in a way that made her feel like time had slowed down. His hand still cradled her cheek.

"If you ever…" he began, the usual swagger in his voice softened as he paused, clearly trying to choose his words carefully. His breath was warm against her skin, and she could feel his hesitation, the way he was searching for something deeper to say, something that didn’t feel like his usual bravado.

"You know," he continued slowly, eyes locked on hers, "if you can't find a man worthy of your… precious gift," He paused again, the faintest hint of a grin playing on his lips, “... don’t be shy to call me.”

Y/N blinked, a wave of heat rising to her cheeks as the words settled over her. “Precious gift?” she repeated with a small laugh, unable to stop the blush from deepening. “You’re so old school, Ben.”

He smirked at that, the usual arrogance flickering back into his eyes for just a moment. "I'm an old soul, sweetheart. You should know that by now."

She couldn’t help but smile, still close enough to feel his warmth. “Yeah, I’m starting to see it.”

But the teasing gave way to something more as his expression softened again, the weight of what they were talking about pressing in on the moment.

He tilted her chin slightly, making sure she was still looking directly into his eyes. “I mean it, Y/N,” he said, his voice serious now, with none of the usual cocky edge. “Waiting for the right man… that’s not weakness. It doesn’t make you naive or Vought's puppet. It makes you smart. Makes you… wise.”

Y/N’s smile faltered slightly as his words sank in, the sincerity in his tone catching her off guard. “You really think so?” she asked, her voice quieter now, almost uncertain.

He nodded, his thumb tracing soft circles against her skin. “Yeah. I do. Anyone can go out and just… give it away. But waiting for the right one? That’s what makes you a wise woman, not some cheap girl.”

His words struck her deeply, not because she hadn’t heard them before, but because they were coming from him. From Soldier Boy. The man she had once idolized as a teen, the man she had assumed was nothing more than a self-absorbed relic of Vought’s past. The men who slept with so many women he probably lost count.

But here, now, in the quiet of this cabin, he was different. Raw. Real. A little broken, sure, but more human than she had ever imagined.

Ben kissed her again, soft, a gentle brush of lips that left Y/N breathless. It was tender, unexpected, and held none of the arrogance she'd known from him.

When he pulled back, his gaze lingered on her for a moment longer. "Get some rest," he murmured, before turning toward the small bed.

She stood by the window, still feeling the warmth of his kiss, her heart racing. He lay down, stretching out with a grunt, throwing an arm over his eyes.

"Night, sweetheart," he muttered, already settling in.

"Goodnight, Ben," she whispered, watching him as the storm raged outside.

--

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[physalian]

On Establishing Authorial Intent vs Character Voice (Specifically, in tragic queer characters)

Coming in hot with another controversial topic.

There is probably a better way to phrase that so what I mean is this: Your book’s message and your characters’ decisions don’t have to match, and if they don’t match, and your protagonist has a very polarizing personality or makes very controversial choices, unless you state otherwise, your readers are going to assume that your character is your mouthpiece.

In other words: If I write, say… a gay man, as a cis, female, queer author, and I write him suffering during the AIDS epidemic, and I write this gay man fitting every single harmful stereotype possible. I write this character that is everything Fox News wants you to believe about gay men and AIDS.

But in the last ¾ of the book, the man has an epiphany with Therapy Speech where I, the author, reveal that I’m not actually a homophobe out to punish my protagonist and perpetuate these stereotypes, and my agenda is not, in fact, to bring the queer community back decades because people are stupid and won’t get to the end of my book to realize that…. Whoo boy, I have f*cked up as an author.

—

Have I dropped enough heavy-handed hints that I read a book that did exactly this? Not a gay man in the 80s, but a queer character nonetheless. Now this was a book that I had to finish. If I didn’t have to read it, I would have quit about ten different times throughout for a variety of reasons, not the least of which being very stiff writing that wasn’t engaging. The actions and thought processes and arc of this queer character were so insulting, so harmful, so off the mark, it was horrifying.

I stopped reading for a day and I’d already drawn all my conclusions and was not very nice in my feedback, but I had to finish it so I did, and the book addressed all my criticisms within the last 100 pages, out of 367.

Meaning: Anyone else would have actually quit and taken away from the book exactly what I did—that this was homophobic propaganda. “Oh but if you just make it to the end-”

Nope, not good enough. I read for entertainment and the book did not hold my attention. I need no more excuse to drop it for something better than being bored, and yet I held on through some nightmarish representation.

So.

How not to do this:

You are completely free and welcome to write unhealthy representations of any minority (why you would if you’re not that minority and not out to make a mess of things baffles me). Not every character has to be smart and well educated on proper representation. They don’t have to be a perfect Mary Sue that makes no mistakes and has no controversial opinions and does absolutely nothing that could hint at being problematic. That’s not what I’m saying at all.

Rather, that character can go ham, but you, as the author, must establish as quickly as possible that all of that is the character talking, not you. Whether it’s a queer character or POC or heck just a woman.

Have a dissenting voice (I like to call them harbinger characters) that serve as the author mouthpiece and is ignored and dismissed by the Problem Character. Harbinger says what the audience is thinking through the flavor and color of a character (so it doesn’t read as super preachy), trying to warn the character about the path they're taking, and Problem Character very cleary doesn’t give a damn about what they think. Critically, the narrative makes sure you know that the Harbinger is correct, and PC is wrong.

Have the PC acknowledge early on that what they’re doing is wrong, minimize it, argue against it, and attempt to justify their own behavior anyway. They know they’re the villain, essentially, and they just don’t give a damn.

Have an equal and opposite healthy character to counterbalance all of PC’s terrible choices. Different from the Harbinger in that they’re less obvious about their place in the story and just living life as that positive representation.

Give the PC a “descent into madness” where they start out a healthy person and through dramatic, understandable, tragic circumstances, they’re forced into this role that they’d never thought they’d succumb to.

Have the PC horrified at their own state of being but too hopeless to think they can escape from it. Have the PC know exactly how harmful they are, to themselves, to other people, and just convince themselves that it won’t get better, that they’re too weak or too afraid or too selfish, whatever.

Because I just rewatched these movies and they’re fresh on my mind, I’m going to use Caesar from the Andy Serkis Planet of the Apes movies. Caesar is your Jesus/Moses archetype: The Martyr. This is the paragon good guy leading his people out from oppression into the blessed lands of freedom. This is the guy with unshakable morals and a compass that points unfailingly North. He is the inspiration to the rest of the cast on how to act and how to be a good, healthy, moral, respectable person. He alone takes on the punishment meant for the group and is literally crucified, he could not be a more obvious paragon and Jesus figure of goodness and purity.

Until he isn’t.

Caesar’s “descent into madness” comes after humans murder his wife and older son, amidst an ongoing war that’s taking a toll on the ape community and his own psyche as they continue to lose numbers and ground and apes defect to the human side because of the villain Koba—Caesar’s foil.

He becomes everything he sought to destroy and his friend points out that he’s become Koba in all but name and his actions inevitably lead to his death because he is so consumed with revenge that he doesn’t escape the climax of the movie when he has the chance, and suffers a fatal injury. Caesar acknowledges this and basically says, “I know what I’ve become. I have to do it anyway. I can’t escape my own rage.”

All of this is believable and understandable and tragic. He was realistically pushed to these horrible ends by the story and we saw what it did to him.

The book I read had the Problem Character flip a switch because they were horny and thought another character was hot.

—

But once again I was faced with an author taking on far more than they were qualified to write, having a protagonist who identifies as a minority that already suffers enough prejudice and misunderstanding—a minority that the author themselves is not part of.

So once again because this keeps happening: You can and should write minority characters. You should not write the suffering of these minorities if you did not live it, because their suffering is not yours to profit off of and you will almost inevitably do it wrong.

[platinumrosetail]

hi so i love ur ennead x reader andu was wondering if u could do a seth horus anubis x human immortal reader were she is cuddling their animal familairs( they left to look after her) into her cleavage and kissing them. like when seth had a falcon in his lap and horus gets jealous😂. what would the do?

also i always thought seth animal is a serval cat sorry if im wrong but could u use that as his animal 😄thank you

Sure! Also I would think Anubis would be a jackal since you know. also this might be short considering it's a wholesome request so either the number of paragraphs is short or the length of the paragraph is short i don't know it's yet to be confirm, also you're using female pronouns in the request so i'm assume female pronouns in her though it'll most likely not be mentioned much. this is any random appropriate time in the manwha as i don't know where to place it at so you all can choose.

warning: noob author, female reader, and others.

characters: seth, horus, and anubis.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Seth:

seth was away on another conquest that needed him there, his familiar; a serval cat thought that this was perfect to spend time with it's favorite human and person.

The serval cat decided to soak up all of your attention while its master was gone as it could only get so much from you before it’s master shoo’s it away.

As soon as Seth returns he couldn’t find you anywhere that you usually be when he does return home from previous conquests or other boring things that sadly had to have his attention that must have him away from you. He later finds you and his familiar out in the garden sitting on the ground with that sneaky cat of his snuggled up in your breasts.

He soon grown jealous especially when the sneaky cat of his noticed him first and smirked at him the best it could since it was a cat. He took his familiar by the scruff and your hand before leading you to the bedroom while leaving the cat outside. Seth is thankful that you’re a immortal human as he can spend as much time with you as he want sad thing is his familiar can as well since it’s linked to him and is much of an immortal as he and you are which leads to the two butting heads for your attention.

Horus:

Horus had left for a meeting with his mother discussing about things as king (only thing I’ll say about timeline) that he should know and do which left is darling little familiar to get as much attention from you as it wants.

Not to say it doesn’t get enough affection from you already and it’s not like Horus forbids it in his presence but his familiar is a greedy little thing that loves your attention on it as much as possible.

It does try to stay out of its master way when Horus wasn’t some love and attention but there’s some times it wants to be spoiled rotten even while Horus was there which amused you in all of your immortals years.

Isis jokes and say that his familiar is like both your and Horus child and that it could be a practice baby from when you two decided on if and when you do have a baby. All in all you give it all the affection and love it wants but sometimes you do have to put your foot down when it goes overboard with it.

Anubis:

Anubis familiar loves your attention but is very loyal to Anubis so it mostly stays a bit away from you as it understands that you’re Anubis lover and as such it must protect you.

When it does want your attention it’s usually when Anubis is away and he doesn’t need it at the moment though it doesn’t immediately come to you for affection, you notice that it always side eyes you which made you think at first that it’s just watching to make sure you’re safe and such.

But you soon found out when you noticed it looking at your hand that was petting a fake fur blanket (don’t know if those were made back then but pretend that they do if they didn’t lol 😅) you had gotten the hint pretty easy on what it wanted and started to pet.

So now it becomes a tradition where you and Anubis familiar spend time together with you petting it as it slept and rested beside you when Anubis was gone and wasn’t needed his familiar, he sometimes comes home to finding you and it sleeping next to it with your hand on its back.

(A/n: hope yall liked it!! Sorry it took me so long 😅 I just been unmotivated lately along with busy in real life what with my cat having to be put down cause of her kidneys this year and trying to up myself up to work on my books plus ideas and let’s not forget the poll for the dragon prince x reader idea I have so yea I’ve been busy 😅 I was hoping to get this done when I first got it but sadly that’s when things started happening (minus my cat as that was in October just still been feeling down about it but I’ve gotten better) so I thank you for the patience to the one who requested this and I hope that all of you have a wonderful day/evening/night!!)

[nikethestatue]

I don’t know how you put up with the rudeness of people in this fandom, but I commend you for sticking up for yourself and staying true to factual text in the books instead of making shit up like you’re a magician. gywnwhatever they call themselves are the biggest bullies in this fandom, this is a fact. End of discussion. Lucien is a useless and boring character, he has no voice of his own and he’s an enabler when it came to tamlin treating feyre like trash. How some people support this is beyond me, can they read? Do they use logic? I think not. Yes this is fantasy but clearly you can see character growth, put 2 + 2 together and Reading comprehension. And Elain doesn't owe LULU (like his supporters who are deLUsional) shit. they are 4 books of canon for Az and Elain…. And Soon to be a 5th book. reading comprehension in this fandom needs to be addressed because some get it and some don’t. Love your blog and thank you for your logic.

thank you. :)

I think generally, this fandom's behaviour had been abysmal towards everyone. Artists, writers, each other. I used to think that some segments were better than others, but now, I see that it's not true. People are just saying crazy shit right and left. Like just today, people are equating Amarantha, Ianthe and...Nesta? Because they are 'sexually liberated' females. No, 2 are rapists. 1 is normal. Then on Insta, someone is berating poor Tangerine Eileen over how they don't like how she drew Feyre? WTF.

I feel like if you hate everyone in the fandom, then go read other books!

The general nastiness is so relentless.

Yeah, people keep making pronouncements like 'we want more complex, grey characters!' and then the moment you point out that their faves ARE grey, they grab the pitchforks and want to go medieval on you.

Like, no, Lucien is not perfect. He doesn't deserve shit. He didn't suffer more than anyone else. He's lived a tough life, he's made some choices from the options that were available to him. That's it. Accept him for what he is--he is not the ideal man.

Same with Rhysand. Nesta. Feyre. Everyone.

But like, people can't handle Elain Archeron. I don't think they are ready for anyone really 'grey'. Or for logical discourse.

[caddeter]

Skimming through the RWDE tag after the Volume 9 final aired reminds me of how the FNDM will defend the show by saying ‘people make mistakes’ and ‘the writers are only human’ because now the show seems to be sending that message.  It also reminded me that I wrote over 1000 words explaining why I think that’s terrible.

‘People make mistakes’ is the absolute worst argument in defense of something that I have every heard. I find it even more insulting than the infamous ‘don’t like, don’t watch,’ because it implies that putting effort into your craft is optional.  What this argument says is that I am in the wrong for expecting anything more than garbage. You are legitimately saying, ‘It could have been better, but you’re wrong for saying so.’  Yes, I realize that nobody is perfect and that they are going to screw up every now and again.  That’s why I’m criticizing it.  I mean, when was the last time you heard people get criticized for doing something right.

This argument of ‘people make mistakes so you can’t complain’ also ignores the moment after, where they look back on what they did wrong and learn from it.  That’s why we make mistakes, so that we can grow as people.   Why should we try to improve ourselves if we’re already ‘good enough.’ ‘People make mistakes,’ is a fact of life, but that does not mean we should throw up our hands and give up all attempts to get better and it certainly doesn’t mean we should accepting bad stories.

But enough about my philosophy on mistakes, let’s talk about this one, specifically how situational it is:

Twilight is recognized across the globe as one of the worst books ever written.  Even ignoring the way it bastardizes the concept of Vampires, it’s a story that reads less like a romance and more like a drug addiction. The lead characters have all the chemistry of a brick and a dead rat.  The relationship it tries to push as beautiful and grand is downright abusive at points.  And this isn’t even getting into all the misogyny and racism and pedophilia in those books.  But people make mistakes, so I guess we shouldn’t hold it against Myers.

Sword Art Online is one of the most infamous anime there is.  Despite its large following, whenever someone looks over it with a critical lens, they come to the conclusion that it’s utter crap.  The plot and worldbuilding are inconsistent. The characters (Kirito especially) exist more to fill out roles in a fantasy than as actual people.  It’s all about making Kirito look good and ensuring he comes out better than when he came in, no matter what.  It goes out of its way to include some kind of sexual assault of the lead female character in a given arc with no respect for the subject matter, to the point where it’s hard to tell if Reki Kawahara thinks rape is the worst crime a man could commit or if he has a fetish for it.  But people make mistakes, so the critics are more in the wrong for making videos on it.

In spite of (Or rather, because of) its troubled production, Sonic 06 is one of the worst video games in existence.  It’s so glitchy, it borders on unplayable.  The story is bland at best, flat out terrible at worst.  The new characters it introduced were all unlikable for one reason or another.  Level design was horrendous and boring.  People have made numerous videos and blogposts explaining why it is one of Sonic’s worst games, if not one of the worst games period.  But people make mistakes, so we should stop complaining.

Post season 4, Spongebob Squarepants took a downward dive.  Characters became little more than one unlikable trait.  It crossed the line from mischief to malice, so good characters suffered while the bad ones triumphed.  It was extremely evident that they had already run out of ideas, because they kept rehashing the same episode plot over and over again and needed to pad out some episodes.  But people make mistakes, so they should never have tried to fix this.

Lucy is the most boring movie I ever sat through.  It’s just ‘This girl gains reality altering powers, be amazed at how easy everything is for her.’ There is never any point where she is in any sort of real danger or anything actually threatens her.  She loses all empathy for her fellow man and has no problem throwing them away like broken toys (In an Asian country when our main character is white, mind you), yet it expects you to see her as the good guy throughout. Instead of being terrified by her rampage, it expects you to be amazed.  And maybe that would have worked if it used said reality altering powers in more creative ways.  But people make mistakes, so I guess it’s a good movie.

I could go on for ages and never run out of examples for any given form of media.  And this is all ignoring examples that are actively malicious, like stories that are intentionally sexist, racist, or homophobic.

And then there’s that other group of people this argument conveniently doesn’t apply to:  The critics.  If people make mistakes and you think we should just ignore that, then you can’t challenge the critics on any ground, because they made a mistake by talking about the writer’s mistakes.  If we are not allowed to judge your writer, then why are you allowed to judge ours?

Not to mention how this logic is almost self-refuting. When you say this, what you are saying is that the only thing wrong with the criticism is that it is criticism.

Furthermore, this argument also somewhat undermines the effort other artists and writers will put into their craft in order to make something as best as they possibly could. If we should all just accept when someone fails to make something good, then why should we recognize how Fictional Games ensured that Amnesia The Dark Descent had an atmosphere which on its own could leave you terrified rather than relying on cheap jumpscares?  Why should we praise Tatsuya Endo’s writing for blending heartfelt, humorous, and action-packed when he wrote SpyXFamily? Why should we celebrate Avatar the Last Airbender not just for its amazing story of multiple cultures coming together and strengthening one another, but also for its fully realized and fantastical world?

By saying that we should accept mistakes and that it’s wrong to criticize bad writing, you wind up saying that all of their effort was pointless.  Why bother trying to make something as best you can when people will accept anything?  If we’re not going to pay attention to what a story or writer did wrong, why should we pay attention to what a story or writer did right?

‘People make mistakes,’ means just that, that people make mistakes.  So how about we treat those mistakes as mistakes and hold people accountable for them, rather than act like everyone and everything is perfect and infallible?

[kidmachinate]

Diablo IV - Things Will Get Better, Right?

Diablo IV was met with much praise upon being released. The game has an 88 top critic average on OpenCritic, and a 96% for critics recommend. This tells a very positive story…however, the people invested in the game past review impressions seem to have an altered version of this tale and it isn’t all sunshine and rainbows. Let’s talk about it. The campaign is great and refreshing. I think Lilith works as a villain and the whole her vs Inarius struggle front and center is an interesting backstory. Most of which can be understood even without playing the previous games. The cutscenes are amazing and the voice work is well done. It works. Even if you’re only realistically playing the campaign one time and one time only, as the game gives you an option to skip the campaign any time past the first. There also some key fights in the campaign that will be a nod to past games as well that add value for players keeping up over the years. Won’t say what because spoilers. It’s a deep enough story, disconnected from the feel of the past three games, but still had bits to enjoy from the past titles too. It is exciting enough on its own and leaves things open for those upcoming expansions and/or future titles. While people are likely gonna skip campaign after the first time, I like this one much better than Diablo III before it. This is the greenest side of the field. Let’s get into characters. To be perfectly clear, before I get into anything else, I’m not going to paint the same pretty picture many have. While I am still enjoying this game, I debate for how long. A previous (now nonexistent, unfortunately) review I had for Diablo III was titled In and Out of Diablo III. As is stands, and much of this is dependent on what happens with Seasons 1 and/or 2 of the game, Diablo IV may be a similar type of review. I may stay in longer initially than I did vanilla D3, but do I have the same patience to keep trying time and time again hoping the game improved months later? I’m not so sure. Let’s get right back to it because I got slightly sidetracked here. The characters! Another disclaimer, this is my personal take on each character. Barbarian is boring to me but up for consideration for Season 1 or to play the only character I haven’t made yet. No real opinion to offer yet. Sorcerer is my main and level 78. Feels satisfying to play and look at. Every element has a viable build. I originally thought this was the class most balanced, and in the sense of being able to use each element and multiple versions of each, is great. However, it is the weakest class in terms of survivability, they took away an enchantment slot since the beta, resists don’t work which is half the point of the intelligence state, and it doesn’t have the damage to help make up for that. Once you get to the true endgame, you need to play near if not entirely perfect, or wait for your defensive cooldowns or frost nova to come off cooldown. I’m playing and Ice Shards build and thinking about a Hybrid of Blizzard and Ice Shards soon. Druid feels real bad through level 50. It’s too damn slow. I’m just over that now but exhausted from what it took to get there, so I barely touch it. I’ve done less on my Necromancer and Rogue, however both already feel satisfying at early levels. I’ve got a Penetrating Shot and Bone Spear build for the two respectively. Rogue is exceptionally nice with mobility options because you don’t get a horse until Act IV of the campaign. That’s another minus point for the campaign I suppose. The classes I think are mostly okay but need some further tweaks to get to a point where all characters feel fun to play at any given point in the game. Which class is best will be figured out and change over time, but there are clear senses of what is fun and not right now. In the case of the not so fun classes, it feels bad. Sorcerer, which I will now call Sorceress from this point forward (because I have a female char and it was that in D2 dammit) is the most picked class, but stats show people drop the class after a certain point due to what I mentioned above. It’s no good. I hope this changes. I’d love to keep playing Sorceress but I don’t think needed changes will happen before Season 1 drops in less than a month. The character creator, while not in depth, having it at all is greatly appreciated. I have to state another good point. The devs have been very responsive and open to feedback at a surprising level. It almost make you think you aren’t playing a Activision Blizzard game…almost. While not all the changes we may want are implemented yet, there has been quite a few patches and hotfixes since before even the early/retail release, during the period of the open beta. That’s fantastic and a great sign. This does give me hope for the future…even if not immediate. The environment, characters (with changes needed and ever pending), and dev feedback all feel great. I genuinely enjoy and appreciate visually what I am looking at now since Diablo III’s original presentation. While Reaper of Souls made it better, this delivers the environmental feel closer Diablo and Diablo II. I approve highly…but you all reading this know better right? It was getting to this point. This is where the grass starts to get brown or rotten at the core. Part of this…or perhaps a big part of this may be personal preference but hear me out on this. Here’s the other half of the story.

By design, this game was doomed to fail in my eyes for as much as I like Diablo. I am mostly not a fan of open world. It truly takes a great world I’m legitimately interested, or some sense of actual purpose behind what I’m doing. Elden Ring accomplishes this even with its samey dungeons because I may get upgrade materials, new challenges, and a new boss (sometimes). With Diablo IV, most of its dungeons are like Elden Ring dungeons, except even less variety in the dungeons (if you can imagine that) a slight chance of getting something to upgrade your endgame gear and absurd drop rates. It doesn’t feel rewarding and the higher you push in Nightmare Dungeons to get better chances at stuff, feels particularly bad with my favorite class, Sorceress. Build variety takes a hit with Sorceress. You’re restricted to the same defensive options for each build to maybe keep you alive. It sucks. There are microtransactions and they are disgustingly priced, and you already paid for the game upfront. It isn’t pay to win however, so as much as this sucks on principle, it isn’t a huge deal. It’s a much bigger deal for anyone with addictive tendencies and to those people, I’m sorry. This sucks. Personally, I’m more concerned about what the game has to offer. I got sidetracked again while making other points. There’s more to this. Diablo IV leans more towards MMO while keeping the spirit of an ARPG game. I like having the extra stuff to do. Dare I say I even enjoy it? Yeah, I do. I like the world bosses (big group boss fights), world events (normal party size events to kill enemies), even watching terrible groups fail legion events because the are too slow (bigger group, kill groups of enemies in a set timeframe). The problem is when I should be doing either Helltide (sections of the map change in favor of collecting materials and fighting some bosses) to go towards better drops in chests in those areas, or should just simply be running nightmare dungeons because these samey dungeons are pretty much what matters in the endgame, everything else just feels like a chore. I await the important stuff. I suppose I forgot that this is also technically a live service game since it has a season pass and such, so again, by design, probably something I won’t like. Seasonal play hasn’t hit quite yet, so I dunno how I will feel about it. However, live service by design is not respectful of your time. What has to be one of the biggest offenders of wasting your time in this game is the paragon board. I made the decision to redo my paragon board. If you want to respec your character, it costs gold. I think it should be free but fine. No big deal. It refunds all nodes. All 58 of them assuming you have them all. You know what you can’t refund all of? Your 225 total paragon board nodes should you choose to respect. You have to go one by one and they all cost gold. Some you have to click twice to remove a rune attached to a node and then refund the node after removing the rune. Way to not respect a gamers time. I suppose storage is also an issue and gems don’t have their own bag, but they will be addressing this at some point around I think Season 2...so I guess they get a pass because they at least heard and addressed this. It’s not an issue for me. Yet. Play this game with friends if you like it but can’t stand all the in between stuff that mostly won’t matter when you’re doing endgame activities. That’s the best advice I can give. The foundation is here for a greater game (in my opinion) than Diablo III, but we’re not there yet. We need some further class balancing and a Tier 5 difficulty with actual different activities and/or new gear to chase for levels 80-100. By the time I got to this section before posting this review, my Sorceress is level 82. I’m not sure I care to get to 100 other than to say yay, I did it, pretty unenthusiastically. Uber Lilith, the level 100, play perfect challenge only gets you a horse skin. No thanks, I’ll pass. To stick a number on it to help make my point, this is a solid 6.5 to 7 out of 10 game. On days in which lag/rubber banding is a problem, even on people’s higher end PCs, I might even be inclined to put it at lower due to frustration, but I won’t. I think this is fair. If in Diablo III I was in and out of the game because I didn’t care for the overall scene or much at all, Diablo IV is the opposite. I love the overall scene and it is a good campaign, but what remains in the endgame, what matters in Diablo IV is an extension of how some people feel about real life. It’s fine…but you’re just going through the motions hoping it will eventually get better. I’d compare this to relationship you’ve been in too long but this is early in the game’s lifecycle. Things will get better, right? Right? We shall see.

[pearblossommina]

ToG Read-A-Long, Empire of Storms, day 8

Ch 45

“And maybe the fact that Dorian could even look at a female with interest after seeing Sorscha beheaded was a miracle.”

I wanna be real clear. The reason Dorian x Manon kinda makes me uncomfy has nothing to do with Dorian’s heartbreaking loss of his former lover Sorscha. I support Dorian finally getting a chance to heal, to change, to grow as a character, to return to his slut era if that’s what he wants to do, and I know Sorscha would be happy to see his heart healing too. Manon is really hot and amazing and Dorian should be beyond thrilled that she would ever consider being with someone like him. I just… don’t like how random it feels? I don’t know how else to say it, lol. It feels like everybody else has some chemistry, an underlying reason to be in love… Even Aedion and Lysandra have a certain dynamic. Manon and Dorian don’t really, and they kinda went from 0 to 100 in the last chapter and it felt really forced and unnatural.

“Dorian had once been notorious when it came to women, but this ... Aelin snorted, wishing Chaol were present, if only to see the look on his face.”

He’d be upset, and then he’d want a turn with Manon, because he likes to date everyone Dorian dates. He’s very normal and that’s a very healthy way to treat your ultimate platonic best friend who you love…

Ch 46

I got kinda bored in this chapter

I’m genuinely not sure how

It’s like, the action can only escalate so far, ya know? I need a dang minute to breathe. I thought we were gonna have a nice quiet time on a sailboat. With the only conflict being the interpersonal conflict of Dorian wanting to set Manon free… and Aelin wanting to not set Manon free…. And Rowan wanting to do whatever Aelin wants to do…. And no fierce ferocious demons, or bloodhounds, or ilken, until we, y’know, get where we’re going.

Idk lol

I just don’t have time to care about the high stakes action element, not right now for whatever reason.

Ch 47

I’m glad they all won, everybody relatively unhurt.

Fenrys seems to be the most at risk of dying but I don’t really know him that well, so, I’m not attached to him if he does go.

A little bit of a moment for Aedion with his estranged father, aww, how sweet.

Dude, are Lysandra and Aedion ever gonna talk about their impending wedding?

Ch 48

I wish I could be normal about Dorian and Manon, lol. They still aren’t doing it for me.

“He tried to scent her, but the vomit was too overpowering, the space too small and full of brine. He stumbled back a step, shutting out the thoughts.”

OMG. ALIEN. He has pregnancy trauma! You better be hurling because you’re scared. Or else you better be prepared to deal with the fetus… Rowan cannot handle the concept of a pregnant girl in eminent danger. And you guys are pretty much ALWAYS in eminent danger. Get yourself some plan B, and talk to your boyfriend about conceiving a child when you’re ready and when there’s not a scary war happening.

Ch 49

Elide and Lorcan. Nice to see you again.

They stepped off the river and right back into eminent danger.

Ch 50

I’m so glad Elide has the sheer rage and righteous anger inside her to murder that thing!

She did it for Manon. I miss Elide and Manon. I think they are a way better ship than Dorian and Manon, lol. My heart is just gay, and Manon is just a dream.

(I think Elide and Lorcan have pretty good chemistry, and I don’t mind reading about them. But deep down inside I guess I’m still shipping Elide and Manon.)

(I know it’ll never happen, but it SHOULD have)

Ch 51

“They had only discussed the matter once last week. When she'd crawled off him, panting and coated in sweat, and he'd asked if she was taking a tonic. She merely told him no.”

Perfect!

I’m glad you guys talked about it like responsible adults. But um. I’m still team don’t-plan-your-pregnancy-around-war, lmao. Maybe try to keep some Plan B around, at least until the Erawan is defeated, and good triumphs over evil, and you can, you know, carry a pregnancy to term without giving your boyfriend severe PTSD

“She'd kept the thoughts about it at bay. But now, with that flower-smelling wyvern vanishing over the horizon.

The last piece of the Wing Leader had vanished with him.”

😭

NO

Why!

I hate this

I’m way too emotionally invested in Abraxos and Manon…

NO! Please don’t go! You can’t do this to me!

[karaspal]

sorry you hate fun i guess.

“how can she use her powers immediately” she is great like that. the rest have skill issues.

the movie is campy and silly at times, but it’s genuinely fun to watch. it was made at a time where superheros had silly powers. clark could literally shoot mini versions of himself and you’re crying about kara making a flower bloom?

you say she was quick to use her powers and that’s unrealistic, then you say she didn’t know how to fight properly even though she just landed? so, do you want her to be a pro since the get-go or do you want her to be realistic with her abilities?

and using comics as your inspiration is a good thing. you’re adapting a character, not creating a new one. so you’d want to make sure the fans of those comics would be seeing their favourite character on the screen, instead of an oc with the same name.

i don’t know why you brought nazis, insinuating that’s what the character will be turned into if the story is taken from the comics, while replying to a post about a character, played by a jewish actress. i don’t know why you’d assume the movie writer would use one problematic story instead of the many good ones.

and lastly, you are not talking about feminism and brining the show, right? i love the show and i love kara, but saying it’s the perfect feminist show when it’s far from it is so silly. the show learned as it went on, but especially earlier seasons, it fell into so many overused “feminist” tropes it’s annoying. it literally took the show four seasons to give kara a best female friend she could trust and be 100% herself with (talking about nia of course) and strong female friendships where women uplift each other are like, one of the main things about feminism.

both the show and the movie aren’t perfect, but they both have a version of kara i completely adore. so no need to compare the two in hopes to prove one is “better”.

sorry you hate fun and are boring at parties. have a nice day.

does r/superman hate fun??? what do you mean helen slater's supergirl is the worst supergirl adaptation??? she is the most comic book accurate one. and overall, a great chracter. the movie itself wasn't even bad. sorry kara doesn't have a bad live action version i guess. suckers.

[piratesfromspace]

Finance Management (Deckard Shaw/Reader)

Deckard Shaw (Fast & Furious) x Reader

Word count: 1.9k CW: mention of food & alcohol, smut

Female reader

Note: This short fic has been inspired by a friend of mine who created the character of the financial advisor of mister Shaw.  Also there is not enough fics with Deckard Shaw so here we are. 

Read on Ao3

MASTERLIST

“Mister Shaw, it’s me again, I’m so sorry but I really need you to call me back please. It’s important. Thank you.”

You let out a deep sigh as you hang up. Handling the finances of rich people is a lucrative and thrilling job, but damn it sometimes those clients of yours are annoying. Especially Mister Shaw.

First, he’s annoyingly busy and unreachable. Most powerful people are, but he can disappear for weeks on end without so much as sending an email.

Second, he’s also infuriatingly handsome and smart and funny. And he has an impeccable sense of style. He has nothing in common with the other clients of your firm, mainly old and boring men, whose only conversation subject is their money and how they hate their wives.

And finally, the worst thing about him is how good of a lover he is. You found out half a year ago, when you ended up in his bed after what should have been a regular business dinner. It was a mistake of course. One that could have cost you your career because it was a very serious breach of contract to sleep with a client.

You never told a soul, and you promised yourself to never do it again. But it was still hard to forget the feeling of him pressed against you, of his hands holding your waist, of his mouth between your thighs...

You try to focus again on your task and stretch your legs, kicking out your high heels. Feet bare on the soft carpet, you walk to the floor-to-ceiling window of your posh office, taking a second to admire the view, as the final rays of the sun disappear over the lake, and Geneva lights up under you. It’s breath-taking, really. But it also means you’re once again staying way too late at the office. Your assistant has gone home a couple hours ago, and your colleagues are either on vacation or on business trips, making you the only person on the building’s 7th floor. You still have a few things to finish so you plop on your leather chair and get back to work, hoping to make it home before 11pm.

That’s when you hear it: the familiar *ding* of the elevator’s door, at the end of the corridor. You tense immediately. You’re not waiting for anyone, and the security guards always use the stairs when completing their patrol.

Steps are coming down your way, and you grab your phone, ready to dial for the security team. And then you recognize his silhouette through the polished glass wall. There is a knock on your door before it opens to reveal Deckard Shaw himself. He’s wearing an expensive suit and an even more expensive watch, a very light stubble is highlighting his perfect jawbone and his deep grey eyes bear a mischievous glint. Handsome, as always.

“Mister Shaw…” you stammer.

“You know you can call me Deckard.” His stupidly sexy British accent and cocky smile will be the death of you.

He’s been in your office for two seconds and you already want to slap him in the face - or climb him like a tree, you can’t really decide.

“It’s quite late, Mister Shaw, you scared me. Anything I can do for you?” you insist on saying his family name, in a feeble attempt to maintain a professional façade.

“You needed to see me.” it’s more a comment than a question, and you’re suddenly reminded of the dozen of unanswered phone calls you made trying to reach him.

“Yes… yes, that’s right, but honestly you could have called tomorrow morning.”

“I’d rather see you in person.” he answers, looking you straight in the eyes. You can feel yourself blushing under his gaze. “Wanted to make sure you’re alright. You’re working too much you know.” he says with a soft smile, as his eyes drift down to your sore bare feet and then to the discarded heels under your desk.

What a condescending prick, you think. But at the same time, he’s right and his care seems somewhat genuine. It will not make you forget you almost lost your job because of him though.

“How did you know I was still here tonight?” you purposely redirect the attention on him, rather than you.

“Well, let’s say I would not leave the woman in charge of my assets without any... supervision.”

“Is that a polite way to say you’ve been spying on me?” you retort dryly.

“Oh I love when you’re getting all angry and snobbish, your French accent is even cuter.”

You’re gonna murder him. You really really want to tell him to go fuck himself, but he’s the one responsible for a very generous part of your paycheck, so you have to keep quiet.

“I would be more comfortable if we keep our conversation strictly professional, Mister Shaw.”

“Everything you want, dear.”

-----

“Mmph, fu-ck... Deckard, don’t stop”

The professional attitude has been long forgotten, since Deckard has pulled you onto his lap on the velvet couch of his presidential suite at the Four Seasons hotel, where you were supposed to only review the important documents he needed to see. But when the room service had brought a very nice bottle of Scotch, you knew you were screwed. You could not refuse a drink, and the warmth of alcohol combined with the warmth of his hand slightly brushing against your thigh had overcome all your resolve.

You are now sprawled on the king-size bed, moaning his name as Deckard Shaw is destroying your sanity very methodically. One foot on the floor, one leg bent on the edge of the bed, he’s pounding into you, holding your hip with one hand, and circling your clit with the other. His pace is calculated, not too fast so you can feel every inch of him, but not too slow so your nerves don’t have any respite, and it’s driving you crazy. Hands tangled in the dark silk sheets beneath you, you try to catch your breath to no avail.

“I won’t stop darling. Not until I can feel you coming again all over me.” His voice is like heavy honey, dripping all over your senses, drowning you in sweet and sinful promises.

You want to close your eyes to focus on the overwhelming feelings, but the view in front of you is too good to be missed. He looks like some demi-god, bathed in the subdued light of the room, broad and muscular chest, abs perfectly drawn. What is his job again? You vaguely remember him talking about serving a few years in the military when he was younger, but he is still definitely hitting the gym on a regular basis.

His muscles flex when he brings you down on his thick cock a little more sharply than before, and you keen as he hits that perfect spot inside of you. You can feel your orgasm build again, and so can he.

“You’re close, princess, aren’t you?”

You mewl in response and he chuckles darkly, keeping up with his ruthless assault on your most sensitive parts. He angles his fingers just a bit differently on your clit, and keeps thrusting into you, stretching you so perfectly you can’t remember the last time someone fucked you this good - wait , actually you can, it was a few months ago and it was by mister Deckard “annoyingly perfect” Shaw.

“Come on, I know you want to, I’ll keep going until you give me one more anyway princess…”

And that's it. You’re gone. Back arching off the bed, you come hard, harder than the first time, clenching around him. You barely hear him hiss in pleasure as you spasm helplessly on the soft sheets, the silk feeling almost cool against your burning skin.

----

“Good morning darling."

You open an eye, natural light is flooding the room, as is the delicious smell of fresh coffee and tea. At the foot of the bed, you spot a room service trolley loaded with breakfast treats and through the open door of the bathroom, you can see Deckard is looking at you in the mirror reflection while buttoning a crisp white shirt.

"Your tea is ready. Black, no milk, right?”

He's right and it's annoying because is there anything this man messes up?

"What time is it?" You ask, suddenly remembering you have a busy schedule today.

"You have 27 minutes to eat and get ready, so I can drop you off at your office in time for your first call of the day."

He knows about your tea preferences and your professional agenda, of course he does , he was not joking when mentioning the whole "spying-on-you" situation, or "supervision" as he liked to call it. He needs to stop it, but you decide to keep this discussion for another day.

You stretch, and rise to put on the hotel bathrobe, sighing at the thought of having to wear the same clothes as yesterday. Last you saw them, they were scattered on the floor all over the room and your underwear were positively ruined.

"The concierge was very helpful this morning, thanks to him I got you a few clothes delivered for today." Deckard adds as he pours himself a cup of coffee from the cart and gestures to the leather armchair where a couple of bags doning logos of luxury brands are perched.

You make your way to the packages, and open the first one to reveal a sophisticated dress, fitted and sexy, but not too much that it would be inappropriate as office wear. The second bag is a thoughtful selection of high end make-up products. And the last one contains a gorgeous set of lacy lingerie, nothing too raunchy but sexy nonetheless. Of course everything is in the right size.

"Thank you..." you whisper, a little stunned. The assortment must have cost him a couple grands at the very least - not that he can't afford it because you're well placed to be sure he can, but still, he did not have to do this.

You have to suppress a smile, because damn he's being annoyingly perfect once more, but you don't want to give him the satisfaction to reveal he was right when promising you could stay the night instead of going home and still look fresh for your day at work.

"I was thinking, I'm free tonight, so maybe we can finally review those documents, you know the ones you were supposed to show me before you jumped on me on the couch last night?" Deckard states as he bites in an apple in front of the window, casually looking at lake Geneva glinting in the bright morning sun.

You blush unwillingly, struggling to find a reply that would save you from admitting you had failed at enforcing your usual work ethic.

"I'm kidding dear!" He barks in a laugh. "I know enough to trust you on this venture, you have my approval to go on with the investment." He continues more seriously.

You open your mouth to answer but he's quicker.

"I'm not kidding about being free though, so what about dinner and then we can see where this takes us…"

When you don't answer immediately, he turns to look at you. Maybe he's realizing the situation can be awkward and precarious for you since you're technically working for him.

"You can say no, I won't take any offense." He adds without irony.

"Yes..." You finally answer, tip toeing toward him until you can snatch the apple he was eating from him. He protests but you shush him.

"...Yes, I would like this very much..."

As he starts to protest again, you take a big bite from the fruit with a knowing smile.

"...but only for dinner. Nothing more."

"You'll be the death of me." Deckard says, falsely irritated, his voice dropping lower.

"At least the feeling is mutual, mister Shaw ..."

[violetmuses]

Kiss It Better (18+ Minors DNI) || A Rick Flag One Shot 

TITLE: Kiss It Better (18+ Minors DNI) || A Rick Flag One Shot 

FANDOM: “Suicide Squad” Film Universe

CHARACTER: Rick Flag

PAIRING: Rick Flag + Female Reader 

MAIN STORYLINE: After completing the Enchantress mission, Rick returns home and hopes to make up lost time with you. 

Author’s Note: As a warning, this One Shot includes SMUT content. (18+ Minors DNI) Adult themes, strong language, etc.

J Krew: @nerdysuperchick @a-reader-and-a-writer @babblydrabbly @lacontroller1991 @shadowkittybucky @loverhymeswith @justin-hammers @weallhaveadestiny @xoxabs88xox @katjnordstrom96   @mayhem24-7forever @lilisangel @skvatnavle @sociiallydiisoriiented @heresathreebee @alieninoklahoma @bewitchedignition @maddu-oliveira @reveluving @sugapapichulo @hodgepodge-of-rog

__________

2016

I’ve been waiting up all night.

Baby, tell me what’s wrong?

Gonna make it right. 

Make it all night long. 

“Kiss It Better” by Rihanna (2016)

“Darlin’?” One Southern accent echoed and keys jingle behind you as footsteps enter the house. Instead of squealing with joy and meeting with Rick for the first time in months, you continued washing dishes, rolling both eyes and not even facing him. 

“Hmm?” You mumbled, looking forward as suds ran along your hands. Only minutes later, you finish washing those dishes, rising that sink once the drain-holder is full. 

“Hey,” His voice rasps from behind you and he whispers by the crook of your neck, ghosting his lips and daring to smile. Even his arms loop around your waist, embracing gently with their hold. 

“What about June?” You clip the brief question and it is long before you shrug out of Rick’s touch. 

“It was fake.” He seems to lie. You know damn-well that he slipped off his wedding ring just days before the mission even started. “Caring about her was genuine, though.” 

“Uh huh.” You fold both arms, giving him one leftward but sided view of the wedding ring that you still wore right now. 

He steps closer, and by some miracle, you somehow allow him to kiss the top of your head. Despite anger, you still know that he returned home in one piece. Alive. 

“Nobody else but you.” His accent deepens, cutting down words and sounding just like his father. C’mere.” 

“What?” You tilt your head, smirking.

Your arms unfold and he earns the chance to hold you close now, ending space between you both. Your forehead bumps against his and he smiles towards underneath the brim of his Task Force X cap. His hazel eyes, while veiled, bore into your soul again. 

“Look.” That quick instruction falls from his lips, but still sounds oddly gentle. He carefully lifts his capable but veined hand, revealing the sight of his gold wedding band. 

In truth, you could have melted right there, feeling deliciously weak because of that damn voice alone. 

“You mine, is that what you’re saying?” You dare to tease back, clearing your throat and licking your lips towards him. 

“Yes, Ma’am.” He affirms that truth with the utmost respect, finally leaning inward to kiss you. 

___________

Both tattoos and scars line his lean but agile frame as he looms over you, trailing kisses all over your nude body. As of now, The bedroom is quite dark, but moonlight casts from the nearest window, shrouding you both in shadows later that evening. 

He plunges into your core, almost whimpering himself once he realizes how warm you feel while clutching around him. Even as the condom protects you both, your warmth feels exhilarating, much-needed, overdue. 

“Fuck.” You barely say. With each passing moment, his thrusts within prove torturous and slow, as if you would never allow him to touch you again after tonight. 

“I love you.” He reaches out and grasps your palm, squeezing your hand and moving even deeper inside of you. “I love you so much.” 

Before you can mention another sane word, his thrusts quicken, almost feeling otherworldly. To make matters he stares down at you with those perfect hazel eyes. 

“I’m close..” You whisper beneath him, moving closer and closer towards the edge. 

“Come on…Please.” He then asks, gently speaking by the shell of your ear once more. 

“Yes.” Your warmth finally spills, coating him without fail before he could even try first. 

“Damn.” His eyes roll back, shutting as his brows furrow in the name of his own ecstasy now. 

You can barely sit up before his lips return to your, quieting any upcoming words. This time, he moans into your mouth, desperate to make you comprehend that unspoken promise. 

“I love you.” Three words reveal themselves once you are finally allowed to speak, free from the clutch of his lips. 

“Tell me again. Please tell me.” He caresses your face. His voice nearly hitches, overwhelmed by forgiveness of a sin that never even happened. He was terrified of losing you and tonight almost felt undeserving until you answered him now. 

“I love you. I love you.” You repeat yourself, trying to cement the gravity of this moment.

“I love you too, Darlin.’” His accent returns and he falls asleep in your arms, still resting inside of you. 

__________

You wake up to kisses in the morning and earn breakfast in bed for the first time in months. Despite considering what happened last night, the gestures seemed surprising to you regardless. 

“What now? Are you just gonna spoil me up until the next deployment?” You sit up against pillows, eyeing Rick as he lays beside you. 

“Been wanting to do that, with or without the deployment.” Rick laughs between words and kisses your cheek. 

“Thank you.” You smirk anyway, 

“You’re welcome.” Rick says, halfway embracing your hip. In turn, you only end up landing on your back and softly hitting the sheets.

“Oh, no. Going for round two, Flag?” You chuckle as his shadow and tattooed armed cage you again, still looming.  

“Only if you want.” He asks for consent of course, kindly smiling down towards your face. 

“Sounds good to me.” You wink. 

[musclesandhammering]

Every Single Issue I Have With S*lki (It’s Not Just The Selfcest)

Here goes. I threatened to post this a few days ago and never did, but I just saw a s*lki stan Twitter account claim that Loki caring about Sylvie more than the whole multiverse was a Good And Romantic thing and it pushed me over the fucking edge, so now you all have to read this. I’ve divided it into categories cause there’s just THAT much.

OOC Bullshit

• First and foremost, no amount of mental gymnastics you do will ever make me believe that this specific Loki- the one that just invaded New York, that just came off a year of Thanos Torture, that just got done being influenced by the sceptre, that was literally in the middle of a crisis already, and then on top of that went through all the trauma of Ep 1- would even be worried about a romantic relationship. That would be the furthest thing from his mind. Go back and watch how he acted in Avengers- you think that guy would abandon his previous mission to become a snivelling simp for a girl he’d just met 3 days prior? Yeah, there’s no universe in which that makes sense.

• “It’s very in character for Loki to fall in love with himself lololol-“ NO, it’s literally not. Out of all the characters in the mcu, I don’t think I can think of anyone that genuinely hates themselves more than Loki. He even referred to all his other male variants as “monsters” and said meeting them was “a nightmare” in this series. He’s got so much self-loathing, plus the fact that he genuinely thinks himself to be an evil backstabbing scourge- so there’s no evidence at all suggesting that he would ever develop a fondness for, or even be inclined to trust, another version of himself, after only knowing them for 3 days.

• Building on that, the whole concept of Loki falling in love with a version of himself just feeds into the annoying ass misconception that he’s a narcissist. No matter which way you stack it, he’s not. If you’re referring to NPD, he doesn’t fit the criteria, and if you’re saying “narcissist” just as a slang term meaning “selfish and arrogant”, that still doesn’t accurately describe him. But when creators like Waldron and Herron do things like having him fall in love with himself, it makes it so much easier for casual viewers to think that he is.

Shitty LGBT Rep

• It’s kinda sus that Loki’s are allegedly genderfluid and yet the only female-presenting variant we see (and apparently the only female-presenting variant there is, cause the male Loki’s all seemed unfamiliar with the concept) is treated as some kind of mind-bogglingly special paradox. Also very sus that, out of all the Loki variants, the one our Loki falls in love with just so happens to be the only female one. What a coincidence.

• The fact that the creators of the show went around bragging about Loki’s bisexuality and Marvel purposefully (lbr) allowed stories about Loki possibly having a male love interest to circulate, specifically enticing queer viewers to watch the show (you know, the definition of queerbaiting), and then instead of having a male love interest (Loki was the first queer main character, so it was the perfect opportunity) they gave us *gestures to this dumpster fire* this… it’s just a middle finger to LGBT fans. The fact that they would rather have this relationship with all its myriad of problems than have a gay relationship is just……. Very telling.

• While him being with a woman obviously doesn’t refute his bisexuality, the fact that they showed/talked about him being interested in 3 different women (flight attendant, Sylvie, Sif) and never even hinted at him being attracted to a man, definitely makes it seem like they were trying to cover up his bisexuality to smooth things over with the more homophobic viewers. You know? It’s like “I know you’re pissed that we sorta confirmed Loki as bi, so we promise we’ll never mention it again! Or even hint at it! As a matter of fact, we’ll give him lots of female lovies and make him seem as straight as possible! That’ll take your mind off of that horrible crumb of queer rep, right? Please please please keep giving us your money!!!”

• Aside from all the other issues, at its core, the biggest reason why I think I’m so irritated with s*lki is that it took one of the most interesting, complex, and diverse characters in cinema atm and squished him into a tired ass unnecessary heteronormative subplot…. Like literally every. single. other. protagonist. ever. Loki is such a unique character, and it’s so so so incredibly disappointing that they stuck him into that same boring cookie cutter romance that happens to every other character in every other movie I’ve ever seen. It’s a disservice, and it’s honestly just not compelling or entertaining at all.

Thematic Issues Galore

• His arc didn’t need a romance. With anyone. It was unnecessary and it didn’t make sense plot-wise. In fact, one of the reasons he was my fav prior to this was because he was the only big-name mcu character whose story wasn’t muddied-up by a romance that didn’t need to be there. So much for that.

• He wasn’t emotionally ready for a romantic relationship with anyone. Hell, just a genuine friendship would’ve been pushing it for him at this point. He was in such a bad state that any relationship he got into would’ve been toxic and unhealthy for both him and the other person, and it doesn’t make sense why the writers would want to put him in one when there were so many cons and essentially no pros (other than “Uwu aren’t they cute together”).

• Sylvie’s character in general was unnecessary and Loki’s character was robbed just by her being there. The whole show became about her post-Ep 2. They spent most of the time giving her backstory, building her up, telling us how awesome she is, trying to convince us to like her, etc when what they really needed to be doing was building Loki up- cause I gotta say, if I had to describe TVA!Loki in a few words, they would be Flat, Boring, and Weak.

• The romance overtakes the plot. They spend time portraying their supposed connection that could’ve been spent adding depth and complexity to literally any of the characters. They make the big Nexus Event them giving each other googly eyes on Lamentis when it could’ve been so many other way more profound things that speak to the fundamental nature of Loki’s. They have the climax of the finale be “oh no she betrayed him to kill He Who Remains” when it could’ve been something way more compelling (Loki having a moral crisis over whether or not to kill HWR, Loki contemplating the state of the multiverse and weighing the pros and cons of freedom vs order, Loki looking into some What If situations and getting emotional about what could’ve been regarding his family, Loki realising the gravity of HWR’s offer and finally coming to terms with how important he is to the universal cycle, etc etc). The entire plot suffered in favour of a romance that half of us didn’t even want.

• It essentially reduced all of Loki’s potential character growth down to “He did it for his crush.” He seemed to at least have some motivations of his own in Ep 1-2 (feeble as they were) but after Sylvie showed up in Ep 3, literally every action he took was just him being a simp for her. Why did he lie in the interrogation? To try to protect Sylvie. Why did he fight the minutemen and Timekeepers? To survive kinda, but mostly cause it was important to Sylvie. Why did he get pruned? Cause he got distracted trying to confess his crush to Sylvie. Why did he try to get out of The Void? Cause he thought Sylvie needed him. Why did he stay in The Void? Cause Sylvie was staying. Why did he try to enchant Alioth? Cause Sylvie told him to. Why did the multiverse get cracked open, leading to an infinite number of Kangs waging war on all of existence? Cause Loki didn’t wanna hurt Sylvie in their fight at the Citadel and then get distracted by her kissing him. It’s uninteresting and honestly pretty embarrassing.

• Throughout their “relationship arc” the writers do their absolute damndest to convince us that we should like Sylvie more than Loki. And you know what? It’s the most hypocritical shit I’ve ever seen. They preach and preach about how Sylvie’s life has been so difficult/we should feel bad for her/she had it so bad/poor poor sylvie/she had it SO much worse than pampered prince Loki…. But then they never even touch on any of Loki’s trauma of hardships (the ones that have been ignored for literally 3 movies now). They frame Sylvie as a good person and a Freedom Fighter after she spent literal decades/centuries mass-murdering brainwashed TVA agents and showing exactly zero remorse for it….. but then they make it their mission to constantly remind us that Loki is a terrible person and constantly put him in situations where he’s forced to acknowledge his wrongdoings/show remorse/admit to how “evil” he is for being a mass murderer for like 2 years. They show him on-screen having a wider range of powers than her, and perpetuate his whole shtick of being a “master manipulator” or whatever….. But then they make Sylvie “the brawn” more competent, intelligent, and physically capable than him. Tell me how it’s a good thing for a ship to be so narratively biased toward one character.

Missed Opportunities

• If they absolutely had to have a romance subplot, then they could’ve paired Loki with one of the characters that have already been established OR one of the characters that were a big part of the whole TVA storyline anyway. It would’ve been so interesting if they’d revealed that Loki had a history with some of the players from previous films (Sif and Fandral both come to mind). It also would’ve been really interesting if they’d given Loki a love interest that actually had some allegiance to the TVA as a whole (Mobius maybe, but not necessarily. It also could’ve been Renslayer or B-15). Hell, imo it would’ve been cool if they’d followed through with that “See you again someday” line that he said to the flight attendant in Ep 1. ALL of these characters have way more chemistry with him than Sylvie, and they were also already relevant to the plot without wasting half the show to give background info on them.

• If they absolutely had to have a hetero-presenting love story involving an enchantress-type figure, then there’s a whole Enchantress (Amora) that was actually Loki’s love interest in the comics. Plus, fans have been screaming for Amora to appear in the mcu for years. Plus, Tom literally pitched an Amora/Loki storyline way back in 2012-13. Also, Lorelei (another enchantress) is also one of Loki’s love interests in the comics, and she already exists in the mcu (she was on Agents of SHIELD). There were several different established characters for them to choose from. Creating a whole knew amalgamation of a character and going with the “she’s a Loki variant” storyline was just completely unnecessary and made no sense.

• They completely robbed us of a Chaos Twins dynamic. Had they handled Sylvie better and not forced her and Loki to smooch, the two of them could’ve had a really really complex and interesting sibling relationship. Loki could’ve stepped into Thor’s shoes and sort of used that new role to gain some self importance, and Sylvie could’ve finally had somebody to look out for her/teach her magic/be there for her. It would’ve been very aesthetically pleasing, the vibes would’ve been out of this world, it would’ve been way more profound than this bs, and frankly it would’ve been much more entertaining to watch.

• Loki’s relationship (read: obsession) with Sylvie completely overshadows all Loki’s other relationships in the show. Loki and Mobius were literally the focal point of the series in Ep 1-2, but after Sylvie showed up in Ep 3, they barely had any interactions with each other, and Mobius pretty much faded to the background entirely. Loki had the beginnings of a pretty interesting antagonistic relationship with Renslayer (with her wanting him pruned, then arguing with Mobius that he couldn’t be trusted), but after Sylvie showed up the dynamic shifted to focus on the history between her and Ravonna. Loki and B-15 started off very badly and openly disliked each other throughout Ep 1-2, and then in the end of Ep 2, Loki showed a little bit of concern for her when she was possessed, hinting that they might be inching toward a reconciliation- especially considering how obvious it was that Loki was gonna uncover the TVA’s sins eventually. There was so much potential for him to be the one to give her her memories back and convince her to change sides, but no, of course that honor went to Sylvie. In fact, after Sylvie showed up, Loki and B-15 never even spoke to each other again.

Various S*lki Fails

• If they were trying to convince us that this affection was mutual, they completely failed. There’s nothing I’ve seen that even hints at Sylvie feeling the same way about Loki that he does about her. At most, I’d say she has a slight endearment to him. She finds him likeable and she’s grudgingly fond of him, but she definitely isn’t in love with the guy. Maybe she thinks he’s cute and hopes that he gets out of this mess alright, but her mission obviously comes before him- whereas, it’s been confirmed multiple times that Loki cares about her above anything else. She doesn’t trust him, she looks at him like he’s an incompetent fool half the time, she shows little to no reaction during most of his confession moments, and she kissed him as a means to distract him so that she could get him out of her way. Look, all I’m saying is, when you get into a relationship where one of you is way more invested than the other, it never ends well.

• This goes without saying for a lot of us, but the selfcest is just straight up odd and cringey. If you’re cool with that sort of thing, fine! People can ship what they want! But don’t pretend it’s not at least a little bit uncomfortable. Yes, I know they’re not technically siblings so it’s not technically incest, and they’re also not technically the exact same person, but they’re similar enough that it makes things weird. And yes I know selfcest can’t happen in real life, so there’s no way to judge it morally, but neither can most of the other stuff that happens in these shows/movies (the Snap, Loki destroying jotunheim, superhero with powers being held accountable, mind control) and yet we still find ways to judge their morality, because they all mirror real-world events. (The snap= genocide; Loki destroying Jotunheim= bombing other countries; superhero accountability= weapons accountability; mind control= grooming and coercion). And lbr the closest real-world mirror to two versions of the same person (who may or may not share DNA, family, backgrounds, physical and emotion characteristics) being romantically involved with one another is incest. And you can be ok with that if you want- that’s your prerogative- but don’t get pissy just cause a lot of us are squicked out by it.

• The whole mirror metaphor (learning self love via each other) thing just fell completely flat. First of all, having Loki learn to love himself by looking at someone who mirrors him did not, in any way shape or form, require them to be romantically involved. But they were. Of course. Secondly, the creators have contradicted themselves so many times on whether Loki and Sylvie are the same or not, that it doesn’t even really register to the viewer that the mirroring thing was what they were going for. Finally, Loki and Sylvie are shown to have so little in common- and to have only the most bare minimum of similarities personality-wise- that it doesn’t even make sense that Loki would “learn to love himself through loving her”. Like? They’re nothing alike. So how would he make the connection that he himself is actually pretty cool, based on her alone? There’s virtually nothing in her that reflects him.

• I know the objective of the entire show was to convince us of how awesome and unique Sylvie is, but honestly her relationship with Loki just did the opposite. A hallmark of a Mary Sue is having her constantly upstage the male lead, and then having him instantly fall madly in love with her anyway. And that’s.. exactly what happened here. Everything they’re doing to try to force her character to be more stan-able is really just forcing her to look more like their self-insert OC. Which is exactly what she is. It would’ve been so much more satisfying if she didn’t have to try so hard to look cool, if they didn’t have to try so hard to make her backstory tear-inducing, if they didn’t have to turn our protagonist into a snivelling simp just to prove how incredible she supposedly is. Very much #GirlBoss energy and we all know how performative and cheap that is.

• The entire thing was too rushed, there was too little build-up, and it was nowhere near believable. As stated above, it’s ridiculously unlikely that Loki would canonically even be interested in Sylvie, and this show did nothing to explain why he was. He just suddenly was. There was nothing they showed us as viewers that would justify a guy as closed-off and preoccupied as Loki falling head-over-heels for a girl he just met. Their was no explanation, no big revelation, no reasoning, it just… kinda happened. And I’m also severely skeptical of any love story that has the characters go in this deep after only 3 45-minute episodes of exposition.

I’m sure there’s other stuff, so if anyone thinks of anything, let me know and I’ll be more than happy to add it. Tagging @janetsnakehole02 @raifenlf @natures-marvel and @brightredsunset800 for expressing interest. This is all your faults.

[ijustwant2write]

A Secret Romantic-Benedict Bridgerton x Reader x Eloise Bridgerton (Platonic)

(GIF credit to @aryaofoldstones​)

Requested by anonymous: ‘Hello! I saw your looking for Bridgerton requests, I would love some Benedict x Eloise sibling fluff! They have such a good dynamic in the show and I need more’

(I wouldn’t mind making another part of this if people want it tbh)

Characters: Benedict Bridgerton x Reader, Eloise Bridgerton x Reader (platonic)

Meanings: (Y/N)=Your name

(Y/L/N)=Your last name

Warnings: Fluff, fluff, fluff

                                     *~*~*~*~*~*~*~*~*~*~*~*~*~*

Eloise’s gloved hands clung onto her book as she and her family arrived at yet another social event, a ball once again. Her mama had ensured she was dressed to catch the eyes of men, and Eloise knew that meant there would be no room for intelligent conversation. With Daphne now married to the Duke, Eloise had more pressure on her shoulders than she imagined, having to find a suitor of similar standards. However, it wasn’t just her on the market, her brothers were too, especially Benedict (Violet knew it would be extremely difficult to marry off Anthony first, opting for the second eldest son).

Eloise smiled whenever her mama looked her way, though it quickly disappeared once she turned around. Benedict had been instructed to escort her sister around the ball to help seek out suitors, the men knew each other or something about someone; he could help her meet the right one.

“I cannot believe I am here.” Eloise moaned as she looped her arm through her brothers.

“Believe me sister, I do not wish to be here either.”

“Why must you parade me around like a horse at a dressage in order to find a new owner?” Eloise kept catching the men’s gazes, turning up her nose in disgust.

“So dramatic.” he chuckled.

She scoffed.“Well, if you’re going to advise me on who I should be marrying, I shall do the same for you. Now let’s see...”

Eloise looked around the room at all the women, wondering who would be the best match for her brother. Most of these women had no personalities, relying on their outfits to express themselves. Eloise knew of some ladies that were nice, though had nothing in common with her brother.

Eloise shrugged, tugging on her brother’s arm towards the door.“Ah, there’s no one here for us. Let us make haste and leave-”

“Oh no you don’t,” Benedict pulled her back,“we have been strictly told to stay for the night, even if it is just to socialise and...get our names out there.”

Eloise groaned a little too loudly, Ben ducking his head in embarrassment.“How long do these balls go on for?”

“I have never stayed for the full duration.”

“That’s not the answer I want to hear.”

Benedict glanced down at her, somehow only just realising that Eloise had brought a book with her.“Is that book sewed to your hand sister?”

“I brought it just in case I became bored. Which I am already.”

“I shall go and grab us some refreshments. Might as well enjoy them whilst we’re here.”

Eloise let her brother slip away, quickly finding a hiding spot by leaning up against a wall, away from the hustle and bustle of the crowds. She opened her book, continuing where she left off, happy she brought a pencil to scribble down notes for later. The studying never stopped for Eloise. 

“Excuse me?” a woman’s voice interrupted her too soon.

Eloise tried her best to be polite, though her smile came off as sarcastic.“Yes?”

“Sorry,” the woman looked taken back,“I thought you were reading a book that I am reading at the moment, but I was wrong. I’ve disturbed you, I shall leave you alone-”

“Wait,” Eloise had now sparked an interest. No other lady had ever approached her like this,“I don’t mean to be rude. What book had you expected?”

“It’s oh so obvious, but I’ve been reading ‘Pride and Prejudice’ by Jane Austen. It’s the newest book out at the moment, and my mama lets me read it seeing as it involves a woman finding someone to marry. Although, it’s definitely about something deeper, that’s just what I told her.”

“I don’t indulge in romantic novels myself, but I am glad to hear of a female author selling her work.”

“It’s fantastic. And it’s nice to be able to read something without it being snatched out of my hands. Oh, where are my manners? I’m (Y/N) (Y/L/N). Sorry, I’ve been dancing with men all night and none of the conversations have been as riveting as this so far.”

“Why am I not surprised?” they both laughed.“I’m Eloise Bridgerton.”

(Y/N) tried to not show her shock when she heard the surname. They were only the most talked about family, her mama had gone on and on about them, especially when Lady Whistledown mentioned them in her writings. 

“It’s a pleasure to meet you. Might I ask what it is that you are reading?”

“It is to do with my studies. I truly hate these events, so I thought I would ensure my mind was being worked properly.” Eloise realised that could come off as rude, squeezing her eyes shut in embarrassment.“I did not mean to offend you by that.”

“It really isn’t any bother.” (Y/N) giggled.“I rather enjoy these just for the dancing and drinks, I find promenading to be more successful in finding a suitor. Though I would much rather sneak off and see if I can get a few more pages in of a book I shouldn’t be reading.”

“Eloise, why must you go wondering off like that...” Benedict’s words trailed off as he approached his sister, spotting a beautiful woman stood by her.

Eloise’s eyes flickered between the two, and she smiled when she saw the adoration in her brother’s eyes. Cheekily taking the two glasses from his hands, she passed one to (Y/N), who awkwardly took it. (Y/N) had gazed upon the Bridgerton men in passing, they were very nice to look at. Of course, she never divulged in any fantasies about them, that would be silly. But seeing one in front of her had taken her breath away.

“Thank you brother.” Eloise said, taking a sip.“This is Lady (Y/N) (Y/L/N), a new friend of mine.”

He gently took her free hand in his, bending forwards slightly to kiss it. (Y/N) had this done to her many times, but this was different. Benedict made her feel butterflies in her stomach. Eloise could tell her mama was going to love this.

She cleared her throat.“We were just speaking of art, actually.”

(Y/N) furrowed her eyebrows.“We were talking about books.”

“I was about to move the topic along.”

“What kind of art would that be then?” Benedict asked, knowing what game his sister was playing. 

“The...drawing, kind.”

“Isn’t all art drawn?”

“No, it is also painted.”

“I think artists may sketch out a rough idea before painting.”

“Well you would know brother, seeing as you yourself are an artist.”

“I wouldn’t say that-”

“You paint, Lord Bridgerton?” (Y/N) asked.

“Ah, yes, and I sketch.” he hoped his cheeks weren’t turning red. 

“Anything in particular?”

“Mostly people.”

“Are you both attending the art exhibition my family are holding next week?”

“That’s your families’ exhibit?” Benedict became excited.

“Yes, my father collects a lot of art work. Then mother realised she could make a social event out of it, but at least everyone will be able to admire the work.”

“Would you believe it, we already have it noted down in our social calendar!” Eloise informed (Y/N). Benedict could sense her over-reacting, trying to keep a smile as (Y/N)’s face lit up in excitement. 

“Perfect!” (Y/N) looked back up at Ben, making him stand a little taller.“It will be nice to have someone there who knows about the artwork. It will make for an interesting conversation. Just don’t let my father lecture you, he will talk for far too long! And I know you will be too polite to try and get away.”

“My brother is very polite.” Eloise said.“In fact, I’m surprised he hasn’t-”

“Excuse me for the intrusion,” a young man said from beside (Y/N),“but I was wondering if we could resume our dance lady (Y/N)?”

(Y/N) was smiling, but Eloise knew that look; it was the face women made when a man who made them uncomfortable approached, but they had to remain ladylike and polite.

“Actually my brother just asked her and she said yes. You two best make your way to the floor before the music starts again.” Eloise nudged her brother.

Benedict was confused at his sisters offer, until he locked eyes with (Y/N) again. They were pleading him to sweep her away, she was even leaning away from this man. He had been disrespectful in some way, and he wasn’t letting (Y/N) go through that again (despite only knowing the girl for a few minutes). He smugly smiled at the man, holding out his arm which (Y/N) took a little too quickly. Eloise was happy with herself as the pair walked off, sending the man a death glare when he asked her to dance instead. Once he left, her eyes went back to find her brother, who was already dancing with (Y/N), both smiling and laughing. Her mama was going to be ecstatic about this. 

                                       *~*~*~*~*~*~*~*~*~*~*~*~*~*

Eloise sat in the drawing room, obviously lounging with a book. Her younger siblings were being irritating as usual, running around her in circles. Before they arrived, she had peace. Eloise wanted a few moments alone, because she knew her mama would be bursting with questions about the night before.

“Ah, there you are.” Violet said as she walked in.

The book flopped into Eloise’s lap, a frown on her face. There goes her reading time.

“So, how was last night? Did you meet anyone?” her mama sat beside her.“You two, go play outside if you’re going to run around please.”

The children stopped as their mama spoke, sending each other devilish grins before they ran out of the room again, their giggling echoing down the halls. Violet went to shout after them, but decided to leave it be, there were more pressing matters.

“Well mama, do you see any suitors?” Eloise gestured around her.

Violet sighed.“Did you even try last night?”

“My life will not be reduced to a single night where I was forced to peacock around in order to please a man.”

“Oh, Eloise, must you make everything so dramatic?”

“Funny, Benedict said the same thing.”

“Actually, where is your brother? I have not seen him all morning.”

“He went out.” Eloise was relieved that the focus would now be off of her.“He’s calling upon a lady.”

Violet’s eyes widened.“What? When? Who?”

“Lady (Y/N) (Y/L/N).”

“(Y/L/N)? They are quite reputable.”

Eloise rolled her eyes.“Mama, she is a lovely girl. I don’t think you should just judge her on what family she comes from.”

“Oh, so you approve of this girl?”

“I...I mean...Well, I only spoke with her for a mere few minutes.”

“But?”

Eloise let out a huff.“I enjoyed her company. I think Benedict likes her. I didn’t see him for the rest of the night until it was time to leave. He spent all his time with her.”

Violet became overjoyed.“Oh, what marvelous news! I wish he had told me. Do you know what he took to her? Flowers? Food?”

“I have no idea mama. Just wait for his return and he will tell you all the details. I am not a psychic.”

Violet was impatient as she awaited the return of her son. Poor Collin had also been questioned when he showed up in the drawing room, but he had overslept in bed, waking with a terrible headache. It seemed that it was about to come back to him when his mama bombarded him with questions as to why he hadn’t called upon anyone that morning. Eloise kept her giggles quiet, ducking behind her book when Collin sent her daggers.

Poor Benedict had no idea what was in store for him. His cheeks were aching from how much he was smiling. He wasn’t surprised when he arrived at the (Y/L/N)’s house and saw multiple callers for (Y/N). However, jealousy rose inside him when he thought about these men dancing with her, trying to convince her that they were the man to marry. He held a beautiful bouquet of flowers, remembering that (Y/N) had mentioned her favourite the night before. Looking around at any other flowers she received, he was glad to see no other gentleman had chose it. Surely that would show he was listening? He endured sonnets, stories, songs and boasting from the other men, trying not to show his dissatisfaction as each one stepped forward. There was pressure that her parents were there, especially when he realised he was the last gentleman, everyone else had left.

(Y/N) had been incredibly anxious when she saw Benedict that morning. He had been the only man she genuinely smiled at, hoping he came at his own will, not forced by his mama. The night before had been the best ball (Y/N) had ever been to. Benedict was sweet, charming, handsome and interesting. They were able to talk about anything and everything, no small talk involved like all the other men she danced with. He had swooned her, and here he was, calling upon her. 

Back at the Bridgerton house, Violet had not sat down since talking Collin’s ear off. Eloise was still in the drawing room with her, as were her two youngest siblings, munching on biscuits as they threw questions at their mama. She did not have all the answers, sometimes not even hearing them speak for she was too deep in her thoughts. At one point, she did sit, but beside the window, o the lookout for any signs of her son. When a carriage pulled up in front of the house, Violet leapt out of her seat, startling her children. She made a beeline to the door, standing there with her hands clasped together. When Benedict walked in, he too flinched, not expecting his mama to be there.

“Mama, how long have you been stood there?” Benedict asked as he walked past her, pinching a biscuit from his brother’s plate.

“She’s been waiting for you.” Eloise explained, also excited to hear about his calling.

“I hope you sat down at some point.” he joked, sitting beside Eloise and slouching.

Violet hurried to sit on the sofa across him.“You didn’t tell me you were calling on a lady this morning.”

“Well, we got back late from the ball yesterday evening, and I had to leave early to ensure I got there in good time. Though it seemed every other man thought that too.”

“There were many men there?” 

“Yes, quite a few.”

Eloise straightened up at her brother’s grumpy expression.“You really like her!”

“How wonderful!” Violet gushed. 

“Do not get ahead of yourselves.”

“But you do, don’t you? Otherwise you wouldn’t have called on her.”

Ben was lost for words. He couldn’t argue with that, and he did like seeing his mama happy.“Yes, yes I do. And it would seem she reciprocates the feelings.”

“This is such good news! I must see what our social calendar looks like, we must ensure you two spend time together.”

“Actually mama-” Eloise went to tell her about the art exhibit until Ben interrupted.

“Good idea mama.” he nodded, smiling at her as she walked away, a spring in her step. Once she was gone, he let out a big breath.“I just needed a moment without questions from her.”

“Well, you’re going to have questions from me.” Eloise angled her body to face him, her elbow perched on the sofa with her face resting in her hand.“I didn’t think you were going to call upon her. Are my match making skills really that good?”

“I hate to admit it, but yes, you have done an excellent job.” Benedict felt relaxed thinking about (Y/N).

“So, what happened this morning?”

“I took her flowers, she told me her favourites last night, and then I had to sit there whilst her other gentleman callers desperately tried to impress her. It was agony! Finally I was able to have time with her, and it was just...I don’t know how to put it into words.”

“Did you bring her anything else?”

Benedict became bashful.“I brought her a sketchbook, like the one I have. She mentioned how she used to often sketch when she was younger. I thought it would be a unique gift.”

“Benedict, you truly are a romantic at heart.”

“For her I am, yes.”

Eloise smiled for her brother, until a smirk fell on his face.“What? Why are you looking at me like that?”

“Aw, is someone also a secret romantic?”

“No!” Eloise protested, quickly grabbing her book again.“I am just happy you found someone.”

“And you helped, because you secretly want everyone to find someone.”

“No I don’t! You’re ruining this moment now Benedict.”

“Don’t worry Eloise, you’ll find someone.” Ben joked.

She groaned.“You are insufferable...but I still want to go to that art exhibit.”

“To see love bloom?”

“N-no, to see the art work.”

“Of course, of course. But, thank you Eloise.”

She tried not to smile, but couldn’t help it.“You’re welcome.”

[gimme-mor]

ACOTAR THINK PIECE: ELAIN ARCHERON, UNTOUCHABLE

*DISCLAIMER*

This will be a long post.

Please take the time to read this post in its entirety and truly reflect on the message I am trying to send before commenting. My goal is to use my background in Gender and Women’s Studies to deconstruct the comments I have seen on Tumblr and Twitter and bring awareness to the ACOTAR fandom.

The reason I am tagging “Elriel” in this post is to call attention to the arguments in the Elriel fandom that: weaponize Elain’s femalehood to shame real life people for their opinions about Elain’s character and her relationship with Lucien; victimize Elain’s character in fandom discussions; and coddle Elain’s character, which limits fandom discussions about her narrative development and prevents the ACOTAR fandom from holding Elain accountable for her actions and inactions in the same way that the fandom holds other characters accountable for their actions and inactions. It is for these reasons that I WILL NOT remove the “Elriel” tag from this post because all of the above points contribute to the toxic discourse surrounding Elain’s character.

I urge those who use these arguments to understand their implications, why they are problematic, regardless of intent, and reexamine their contributions to the ACOTAR fandom. I WILL NOT tolerate anyone who tries to twist my words and say I am attacking people and their personal shipping preferences. In fact, I AM CRITIQUING THE ARGUMENTS THEMSELVES NOT THE PEOPLE USING THE ARGUMENTS.

Also, I highly encourage the Elriel fandom to read this post because it addresses how the concept of choice as an argument enables arguments to exploit social justice and feminist languge in order to vilify Elucien shippers, among other problematic things.

Elain Archeron is one of the most polarizing characters in the ACOTAR fandom. Though opinions about Elain vary, arguments in the Elriel fandom cite society’s perception of traditional female characters in comparison to non-traditional female characters as the reason behind the hate, and this belief is used to provide an explanation as to why other characters in the series are favored over her. In the series, Elain is portrayed in a wholly positive light and this image carries over into the Elriel fandom, painting her character as a good and kind female who has been unfairly wronged and a victim of circumstances that were out of her control. When arguments in the Elriel fandom oppose other viewpoints in the fandom, they fall into one of three categories:

Category 1: Weaponize Elain’s femalehood to shame real life people for their opinions

Maybe people who hate Elain are just jealous of her in a weird way similar to when someone hates the pretty, nice, and charming girl in school just because she is too perfect

Disliking Elain is misogynistic

What happened to feminism? What happened to women supporting women? What happened to she can say no? All of that disappears the second you force Elain to be with Lucien

Elain antis are misogynistic

All Eluciens are Elain antis

Antis claiming they’re feminists when in reality they hate on Elain and Feyre but love Nesta

Elain antis are such sore losers. Y’all were that bunch of people who could not get over being rejected from hanging out with the cool kids so y’all are projecting your hatred towards pretty people now to get validation

I don’t get how Elain’s love for gardening equals boring for some people. I’m sorry your misogyny finds traditionally feminine activities boring

Why are you attacking a female? What did Elain do? Where are your feminist voices?

The fandom is misogynistic towards Elain

If people loved Elain they would ship Elriel

If you hate Elain it says a lot about your feelings toward women

If you hate Elain because she has no “development” then you must hate Azriel because otherwise you’re misogynistic

Eluciens are turned off by the idea of a woman that has the autonomy to reject a man for the simple reason that it is her choice

Eluciens are all about feminism and “it’s HER choice” until it comes down to females not wanting a male

Eluciens don’t respect Elain’s feelings when they ship her with someone that was part of her trauma and makes her feel uncomfortable

The way some Elucien shippers completely disregard how uncomfortable Elain is around Lucien is so hilariously not funny. Prioritizing being mates over Elain’s feelings is just regressive

It’s hard as a fan of Elain to see someone ship her with a person who makes her physically uncomfortable to be around. Wouldn’t you want both characters to be happy to be around each other

Imagine if SJM saw all the awful things her “stans” had to say about Elain

It’s true that we know comparatively little about her, but is she really boring or do you just not value stereotypically feminine traits?

So y’all are just gonna tell me you prefer Elucien over Elriel? Even though Lucien treats Elain as if she’s something that belongs to him? The only reason he wants to be with her is because she’s his mate, he doesn’t respect her, doesn’t treat her as his equal, even though that’s what mates should be? He doesn’t bother to look past what’s on the outside to see her for who she is. And Elain is obviously repulsed by the idea that she should belong to anyone or have no choice in who she can be with. Azriel is her friend and the only person who sees her quiet strength. He has so much faith in her, in her abilities; he’s the one who kept her company when no one else did, he’s the only one who bothered to see her for more than her brokenness. You’re going to tell me you still prefer Elucien over Elriel?

The more I see Gwynriels that ship Elucien out of their hate for Elain, the less I can understand Elain stans that ship Elucien. Pls Elain has made it very clear that she doesn’t want Lucien, why would you ship her with him? Do you hate her too? Smh

The real question would be, if you care and understand Elain why would you ship her with Lucien (where she canonically shrinks when he is near)?

People crying over Helion and Lucien’s mom not getting to be with each other and her being forced into a relationship she didn’t want, but also ship Elucien? Just say you hate Elain

When Elain’s book is out, Gwyn stans will look like clowns and I will laugh because they set her up by shipping her with Azriel just because they hate Elain. Watch them play the victims now because Elriels are clapping back the hate they’ve sent towards Elain

As romantic as wanting girl who is visibly uncomfortable around a guy who caused her trauma to end up with the said guy. Guess their standards for romance are in hell

Category 2: Victimize Elain’s character

Gwynriels only want Gwyn with Azriel because they despise Elain

Gwyn stans and Gwynriels are Elain antis

No one in the books dislike Elain, so why are there so many people who do?

Elain hasn’t done anything wrong or questionable to warrant the hate she gets

Not having Elain’s POV makes it easy for people to be swayed a certain way about her character if you already don’t relate to her in some way

It’s been years since this series came out and we haven’t gotten a lick of an Elain POV, but people still hate her for what? We don’t know her thoughts, dreams, or aspirations

We haven’t even had Elain’s perspective yet and people are passing these judgments off on her

Elain antis who say she’s boring are just cruel when she has obvious symptoms of PTSD like Feyre and Nesta

Gwyn is one of the most overhyped characters and that’s only because most people hate Elain and they couldn’t wait to find a random girl to ship Azriel with

Nesta was abusive to her sisters but Elain (who has only ever been kind) is painted as the villain

From the text we know that Elain is the epitome of feminine stereotypes (gentle, gardening, baking, non confrontational for the most part). Yet people still call her boring or deny that she has any interesting character traits?

You can’t love Nesta and hate Elain

People hate Elain because of internalized misogyny and lack of taste. All the girl does is tend to her garden and mind her business and they treat her worse than Tamlin

Does Gwyn deserve all this support? Of course yes! She is amazing! But where’s that support when Elain was in the same situation as she? Where’s that support for her right now? Why do they idolize Gwyn for her interactions with Azriel and hate Elain for having any interaction with him?

It’s not even a ship war anymore, they just hate Elain

People hate Elain for no reason

Some of y’all don’t like feminine traits and it shows

We know less about Eris and Helion but people don’t call them boring. Why would rejecting femininity make Elain more interesting?

Elain has had a lot forced upon her

The main reason I believe most people love Gwyn so much is to get Azriel away from Elain. It’s not a secret that Elain has been a widely hated character for years so suddenly we get a new female who has a minimal amount of interactions with Azriel and BOOM. New ship that once again doesn’t make sense (just like Azriel x Emerie after ACOFAS)

Elain hasn’t done something so terrible for her to get this hate. At this point some of you are just being misogynistic and you don’t want to accept it. Don’t call yourselves feminists and then say bs like this, it’s embarrassing. She’s pretty and everyone agreed to hate on her

Just a personal feeling, but I feel like a lot of the Elain hate stems from internalized misogyny. That to be a strong female lead, you need to pick up a sword and fight. That to be strong, you need to adapt traditionally masculine traits

Elain is feminine. She is beautiful. She loves to bake and garden. She is docile, quiet, observant, and a people-pleaser. All traditionally feminine traits. Yet for some reason, she’s like the worst in these people’s eyes?

I think also maybe a lot of people can’t relate to her femininity? That her being so beautiful and quiet doesn’t allow for the people who dislike her not to self-insert? Most of the hate stems from people not wanting Elain to be with Azriel. It’s mean, but maybe the people who hate Elain literally just can’t self-insert if they have a story and that’s why they’re vehemently against it?

Poor Elain. The Cauldron dealt her a bad deal. Upon emerging as Fae, she is immediately declared by Lucien as his mate, never mind that she was already engaged to a prick. Her love life is not good

It blows my mind how they really think that they can compare all the shit that Elain gets with some dumb jokes about Gwyn on Twitter (and yes, the “hate” towards her started mostly because Elriels are clapping back, it was bound to happen)

I would think of it as anti-feminist with Elain and Lucien because she has consistently stated that she does not want him so if she was forced to embrace the bond that would be taking away her right to have a choice but with Az she feels comfortable around so if they were mates then Elain would be happy and feel safe which again should be the priority for women to feel safe in their relationships with anything and to not be forced into any type of situation aka the mating bond in this

Category 3: Coddle Elain’s character

Elain has value the way she is, in all her domestic girly glory. Not every character has to be badass

We don’t speak of Elain’s flaws frequently because everyone else already speaks badly of her, mainly in an unfair way

There is definitely something deeper going on with Elain but by no means will she ever be evil or any less feminine. That goes against everything we already know about her

It’s ok to critique Elain because she needs growth but y’all keep forgetting the shit her and her sisters went through

The last “bad” thing Elain did in ACOTAR was not help Feyre when they were impoverished and I’m tired of people acting like she’s a terrible character when it was their father’s responsibility. It happened 4 books ago and Feyre has forgiven both Nesta and Elain

Elain’s character and the evil Elain theory are a great example of the trend where people only consider female characters interesting if they reject femininity

We don’t know enough to hate Elain

Many people want Elain to turn evil (which in my opinion seems to come from a place of internalized misogyny)

However we don’t tend to talk about her faults, at least not publicly, as that has been, and still is, done to death, and I--personally, at least--find it much more fun to theorise about potentially interesting aspects of the overall plot, than dwell on negatives

And ultimately, I would be shocked if Elain has a more karmically-charged story than Nesta, considering that Elain’s “wrongs” are so much less severe and bad than Nesta’s, and Elain has already apologized for them (or paid the price in other ways, like through what Graysen did)

I guess I also think Elain has suffered and been punished enough. I hope her story is about finding hope in terrible situations, and learning to love her new life, and choosing her own path after everything that has been done to her. I don’t think she needs to be punished anymore or face any additional trauma

Also, why is she being judged on her decisions as a human at all? Fae are monsters to humans! They enslaved them for thousands of years, and the Wall was erected to keep them out

Like I’m sorry, but think Elain would want to leave her ONLY FAMILY AND FRIENDS for the Spring Court where she has no one because--oh look, lots of flowers!--is the craziest thing I have ever heard

Her sisters are in the Night Court. Her nephew is in the Night Court. Her closest friends (Nuala and Cerridwen) are in the Night Court. Her love interest is in the Night Court. Her extended family is in the Night Court. Her home is in the Night Court

SJM isn’t going to keep two sisters together and split up the third. Especially not keep Feyre and Nesta together and separate Elain. They were either all going to end up in separate places, or together. Not 2 here and 1 there

Compared to the other female characters in the series, Elain is the only character whose femalehood is at the center of conversations; this is because arguments in the Elriel fandom fixate on it when discussing her character. While Elain, Feyre, Nesta, and Mor are all representations of white womanhood and white beauty, Elain epitomizes the most fragile version of white womanhood. It’s easy to blame society’s perception of traditional female characters in comparison to non-traditional female characters when it comes to the discourse surrounding Elain’s character because it: falls in line with the fixation on Elain’s femalehood to silence opposing viewpoints; is a simplistic explanation that fails to tackle the underlying issues with Elain as a character, the same issues that are downplayed in-universe; absolves Elain of her wrongdoings; prevents the ACOTAR fandom from holding Elain accountable for her actions and inactions within the series; and diminishes the impact Elain’s actions and inactions have on those around her. It’s not that Elain is hated in the fandom because she’s a traditional female character; it’s the fact that arguments in the Elriel fandom deflect a critical analysis of Elain’s character because she’s a traditional female character who embodies the ideal white woman in need of protection. White fans and white-aligned fans of color, especially white women, have a tendency to vehemently defend, gatekeep, and coddle white female characters in fandom; this makes it difficult for other fans to engage in critical discussions about these white female characters because they’re viewed as flawless and all around perfect characters despite evidence to the contrary. Since Elain is viewed positively by the other characters in the series, it has rendered her character untouchable to any perceived slight or criticism in fandom discussions because those negative opinions challenge what has been said about her character thus far. And as a result, her character has been placed on a pedestal and implicitly hailed as the epitome of white womanhood; and when she’s criticized, it’s seen as a direct attack against white womanhood. Arguments in the Elriel fandom: exploit feminist language and perpetuate white feminist tactics under the guise of defending Elain’s character; center Elain in conversations about female oppression in the ACOTAR world and uphold white feminist ideologies in their critique of ACOTAR’s patriarchal society; and use the fragile white woman narrative to victimize Elain in Lucien’s presence, playing into racial biases that are associated with white supremacy’s defense of white womanhood.

Feminism is a social movement that seeks to promote equality and equity to all genders, and feminists work toward eradicating gender disparities on a macro-level, in addition to challenging gender biases on a micro-level. As feminism became more mainstream, a flat and oversimplified version of feminism emerged: mainstream feminism. The mainstream feminist movement is meant to represent all women, but rarely does it center conversations around issues that concern most women. The problem with mainstream feminism is that it’s just a popularized version of white feminism. White feminism has relied extensively on an individualized understanding of women’s oppression, exclusively from the lens of privileged white women. White feminism only focuses on the oppression experienced by white, able-bodied, affluent, educated, cishet women; and it views gender as the key mode of privileged white women’s oppression, isolated from the privileges granted by their other social identities. White women can be and are oppressed under the patriarchy but only because they are women; their identity as women does not exempt them from the privileges granted by their whiteness. The term white feminist does not mean any feminist who is white, but refers to feminists who prioritize the concerns of privileged white women as though they are representative of all women. However, the term is not exclusive to white people. Because white feminism is so pervasive, people of other racial and ethnic backgrounds often buy into white feminism, believing that if they work hard enough, they may be able to reap its rewards.

Just like white feminism, mainstream feminism only recognizes the identity of being a woman, assumes that all women share common experiences of gender oppression, fails to address other social identities in relation to overlapping systems of oppression, and disregards privilege in relation to various social identities. Just like white feminism, mainstream feminism is palatable because it doesn’t seek to challenge the systems in place, instead its goal is to succeed within them. Essentially, mainstream feminism and white feminism are extensions of performative feminism. Performative feminism is a type of performative activism that’s used to describe feminist views that are surface level and solely for the benefit of one type of person. It’s a pretense which often has nothing to do with genuine activism. Arguments in the Elriel fandom normalize and promote performative feminism because the topic of feminism is only referenced when discussing Elain. This indicates that these arguments are engaging in disingenuous discourse to push a personal agenda within the ACOTAR fandom, and it becomes more apparent when they use white feminist tactics to shut down opposing viewpoints:

White feminists weaponize and exploit feminist language to silence the opinions of other women, especially when they’re called out for their problematic behaviors

White feminists use the phrase “Women supporting women” to defend other white feminists who exhibit problematic behaviors instead of holding them accountable 

White feminists weaponize phrases like “Women supporting women” and “You just hate women” to attack other women who disagree with them on any given topic

White feminists use phrases like “All women face challenges” and “Stop pitting women against each other” to sidestep conversations about privilege

White feminists divert conversations away from privilege and towards the Trauma Olympics to equate their struggles to the oppression of marginalized people 

White feminists skirt around the realities of other forms of oppression and discrimination, downplaying the experiences of marginalized people

White feminists diminish or ignore the ways in which gender oppression affects other marginalized people

White feminists paint those they harmed as aggressive, mean, or divisive when confronted with the ways they have harmed a marginalized group

White feminists deflect criticism by focusing on the anger or emotions being expressed rather than the issue that is being discussed, invalidating the concerns of marginalized people

White feminists speak over marginalized voices in an attempt to sound “woke”

White feminists get defensive and insist there’s no way they could be a part of the problem because of what they’ve done to help marginalized groups already 

White feminists say they don’t see color in an attempt to obscure racial issues that need to be addressed

White feminists center and victimize themselves in conversations about racism, which derails necessary conversations from taking place

White feminists who are white weaponize the intersectionality of their race and gender to avoid accountability

Feminism is not meant to be approached from an individualistic perspective nor is it only about addressing the experiences of privileged white women, it involves addressing the intersections of race, class, gender, sexuality, (dis)ability, and other social identities as well; and it involves addressing how these social identities relate to privilege. Moreover, feminism is not about women upholding complete loyalty to other women because of a shared gender identity, and to claim that it does implies that women should be held to different emotional standards than men. If men are able to dislike and criticize other individual men, real or fictional, without their characters being compromised, why aren’t women granted that same privilege?

It’s clear that SJM set up the ACOTAR world to mirror a patriarchal society, and that the imbalance of power between males and females stems from sexism. Arguments in the Elriel fandom analyze the ACOTAR world through a feminist lens to show how ACOTAR’s patriarchal society, to which the mating bond is innately tied, contributes to female oppression and limits their agency. When choice and free will are emphasized as part of Elain’s arc, they imply that Elain, through the mating bond, experiences female oppression under ACOTAR’s patriarchal society because of her identity as a female with that identity being the focal point of her oppression in the world. Elain is one of the most privileged characters in the ACOTAR world: she’s High Fae; she’s the sister of the High Lord and High Lady of the Night Court, which gives her access to wealth and political influence because of that connection; she’s able-bodied; she was magically blessed by the Cauldron; and she lives in Velaris, a place that grants females autonomy and power because of the beliefs of Rhysand and Feyre. Arguments in the Elriel fandom trivialize female oppression in the ACOTAR world because they disregard the fact that Elain’s privileges prevent her from experiencing female oppression in the same way that other marginalized females in the world do. The mating bond being one such example because those around Elain are not forcing the bond on her, instead they’re allowing Elain to reach a decision about the bond for herself; a privilege that other marginalized females in the world probably wouldn’t have. Just because Elain has endured hardships in her life and is a female in a patriarchal society, they do not erase the privileges she holds within the ACOTAR world. The failure to include Elain’s privileges in discussions about Elain being a female in a patriarchal society feeds into white feminist ideologies because white feminism operates from a very narrow perspective; it doesn’t take other intersecting identities into account when it examines gender oppression, leaving no room for discussions about privilege (or lack thereof) in relation to those intersecting identities. When discussing oppression in hierarchical societies, it’s imperative that privilege is also included in the conversation because privilege and oppression are not mutually exclusive; they equally affect the ways in which people navigate those societies through their social identities.

Rather than attributing Elain’s uncomfortability to her new life as a Fae female or the mating bond itself and her trauma to the Cauldron, the King of Hybern, or Ianthe, they’re placed on Lucien to cast his character in a negative light. Moreover, fandom discussions portray Lucien as a possessive character to further emphasize Elain’s discomfort despite the inaccuracy of this characterization in canon. Arguments in the Elriel fandom play into racial biases when it comes to Lucien (a male character of color) because they mischaracterize his character in order to victimize Elain (a white female character), placing her character in the role of the white damsel in distress. In Western society, the concept of womanhood has been conceptualized from a Eurocentric perspective with femininity and feminine attributes favoring white women. It’s the idea that a certain type of femininity is only inherent to white women as they are seen as the embodiment of an ideal womanhood. White womanhood has been a symbol of innocence and purity, and white women have been viewed as fragile beings in need of protection. The reason white womanhood functions within white supremacy is because it’s the same idea that has motivated white men to kill and beat black and brown men. The so-called protection of white women has been used as a justification for the horrific violence committed by white men because black and brown men were stereotyped as aggressive and seen as a threat to the virtue of white women. The white damsel in distress trope considered white women as worthy of protection because of their perceived innocence and purity; women of color were not granted that same treatment because they did not fit into the ideal image of womanhood. Over the years, this trope became a means for white women to exercise limited power in a patriarchal society with white women weaponizing their status as the damsel much to the detriment of black and brown men. It’s through the white damsel in distress trope that white supremacy sustains its dominance in Western society. The misrepresentation of characters of color in fandom, the dismissal of their importance to the overall story, and using them as tools in arguments centered around white characters are the foundation of fandom racism; they’re examples of how racism moves silently in fandom spaces. Instead of examining their behavior and taking constructive criticism from fans of color, white fans will often double down on their bigotry and center their uncomfortability in the conversation when confronted with their complicity in fandom racism. White fans expect fans of color to swallow fandom racism in its many forms in order to not ruin the experience of fandom, dismissing the fact that racism is prevalent in nearly every aspect of society. This mentality ensures that no one is held accountable for the harm they caused and alienates fans of color in fandom spaces.

To reiterate what I mentioned in my first think piece: terms like “oppression”, “the right to choose”, “feminist”, “feminism”, “anti-feminist”, “anti-feminism”, “internalized misogyny”, “misogyny”, “misogynist”, “sexist”, “sexism”, “racist”, “racism”, “classist”, “classism”, “discrimination”, and “patriarchy” are all used in specific ways to draw attention to the plight of marginalized people and challenge those who deny the existence of systems of oppression. Yet these words and their meanings can be twisted to attack, exclude, and invalidate people with differing opinions on any given topic. When social justice and feminist terms are thrown around antagonistically and carelessly to push a personal agenda, it becomes clear that these terms are being used to engage in disingenuous discourse and pursue personal validation rather than being used out of any deep-seated conviction to dismantle systemic oppression. Being an ally, activist, or feminist is not an identity, it’s a practice. It requires: ongoing self-reflection; holding ourselves accountable; listening to marginalized people; educating ourselves; dismantling implicit biases; challenging those around us who are exhibiting problematic behaviors; and action behind our words.

It’s important to be aware of the language that is used within the fandom when defending or critiquing characters and ships. It’s also important to question how an argument is framed and why it’s framed the way that it is to critically examine the intent behind that argument: is it used as a tool to push a personal agenda that reinforces problematic behaviors, or is it used as an opportunity to share, learn, enlighten, and educate?

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Tagging: @spell-cleavers @bookofmirth @m0bulidae @ilya-boltagon

[ssreeder]

SREEDIE MY GORGEOUS EX-WUSBAND

(this one is possibly my longest comment ever so uhh good luck)

no fr I saw the update I was like fucking FINALLY I’m getting some good enrichment in my enclosure how do you always have perfect timing???

and just like.. 30k?? IS IT MY BIRTHDAY ALREADY WTF you’re honestly insane ilysm

fuck you I don’t love you “zuko didn’t return that night” looking ass >:(

okay ik this is a sad emotional scene but the spirits not giving a fuck about sokka is like so ironic lmao bc in the show they never leave him alone even tho he tries to avoid them at all costs T-T

bruh not sokka thinking hakoda is annoying for breathing- he’s finally experiencing a normal teenager experience :’)

oh nooooo sokka if you tell hakoda you’re in love with zuko and hakoda reacts badly fuuuuuuck

YES SOKKA SOB OUT THE SADNESS EXPERIENCE SOME CATHARSIS BESTIE WOOOO

hakoda said toxic masculinity get rekt that’s so girlboss of him

THANK YOU BATO FOR BEARING THE BRUNT IF HAKODAS ACCIDENTAL HOMOPHOBIA SO SOKKA DOESNT HAVE TO SUFFER ANY MORE THAN HE ALREADY HAS YOURE DOING THE LORDS WORK TRULY

idk how you intended this to be read but I’m picturing hakoda saying “no.. not the watch tower” like this:

but also not hakoda doing reconnaissance on zukka-

yes sokka when it’s a question of how information gets spread the answer is always fucking reho (and I love him for that how else is anyone supposed to get anything done with everyone else being too emotionally constipated to talk to each other)

I cannot express to you how fucking frustrated I am by the communication being compromised bc of the fucking dai li bc ykw??? it’s such an incredible plot point by you since it is 100% in character for the dai li to interrupt messages bUT I HATE IT SO MUCH I’m literally going to have the time of my life when Somebody finally gets a clue about what’s going on

lmao katara something really did happen after you left but lucky for you it was a good thing!! and a bad thing bc everything always goes to shit but oh wellllll

katara you moron why did you tell them you’re leaving T-T

uh yeah no I can promise you jet is anything BUT bored jet is scheming jet is raging jet is challenging firebenders to duals he can’t win JET IS MAKING FRIENDS (well one friend and he doesn’t want to admit they’re friends but reho still counts)

oh fuck. jet you’ve really done it now.

BUT ALSO I FUCKING CALLED IT I KNEW ZUKO WOULD LEAVE JUST IN TIME IM SCREAMING THE STARS ARE ALIGNING THE PLOT US UNFOLDING THE DAI LIS PLANS ARE RUINED

oh hakoda I love how smart you are we really need a good tactician and here you are saving the day <3

also quon is a fuckinf asshole I hope he gets decked at some point xx (but it’s kinda a slay too that he just has so much audacity like it’s honestly lowkey impressive ngl)

yes bato act dumb and pretty we fully support lying and trickery in this household

also I’m placing my bets on zuko returning at the most inconvenient time in the most dramatic way possible fyi (and I’m going to eat it up bc I live for dramatic zuko)

uh yeah jet bby you’re definitely ashamed of what you did hate to break it to you HOWEVER I really do get why jet did do what he did bc he’s traumatised and also a teenager and so he was never going to think maturely and rationally (which like yes obvi that means he caused the problem BUT ALSO it’s not his fault he’s problematic) I just really need him to get some therapy dude

OKAY can I just say I love you showing toph as being affectionate outside of playful physical aggression?? it’s been ages since I’ve read a fic where toph has shown some form of affection that hasn’t been a punch in the arm! and I feel like that’s so important bc in the show most of the female characters are insanely talented in the art of combat and so often they then get reduce to Just being aggressive (like toph) or being overly emotional (like katara which is super ironic considering the ember island players tragic performance and how that was supposed to actively argue against katara being so one dimensional) WHEN REALLY they ARE BOTH tough and have feelings bc they’re literally human beings

yeah I have many opinions oops

I FEEL SO VINDICATED I LOVE YOU KATARA AND YOUR BIG SMART BRAIN she’s such a good actor my heart is squeezing in satisfaction oh lordy

shit. appa. fuck. goddamnit. REALLY?

omg this is so not gonna happen but imagine if zuko turned up in ba sing se and then all communication Issues are solved and he can help find appa like in the show :D

well not all communication issues but a fuck ton of them

YES RASU he’s such an icon I actually love him with my whole entire heart my flirty baby boy

lmao zuko had a crush on rasu

same.

shit. idk why but it’s so jarring to have be explicitly said that zukos death (even tho it’s fake news) is a casualty of war. like OBVIOUSLY but to have it put so bluntly is like damn. it’s like as a casualty of war, it matters fuck all that he was a prince or why he was hunting the avatar and everything that made (makes) him integral to the war effort bc in reality he really just is another kid who died in the war. and then THAT just makes you think, yeah he’s not all that special because the horrific reality is that so many people were casualties of the war and while they’re anonymous numbers on a large scale, in life they Mattered and now it’s all for naught. jesus crispy sreedie you’ve really got me grieving

FUCK YEHA QUON IS SUCH AN ASSHOLE HES DISMISSING JETS INTEL ALL BY HIMSELF THIS IS A WIN TEAM

sokkaaaa now is not the time to be bad at readying facial cues T-T

aang has so much more emotional maturity than people give him credit for fr. like there’s no way in hell I would’ve been able to regulate my emotions half as well as aang when I was 12 even WITHOUT factoring in the genocide of his nation

holy shit reho DESERVES SO MUCH FUCKING LOVE I WILL PERSONALLY FIGHT EVERYONE WHO DARES TO INSULT HIM AFTER THIS

also he’s so fucking wise “evil people don’t only belong to one nation, they are everywhere” LIKE PREACH they really fucking are war provides a platform for the worst people to shine

real talk if shen dies I’m gonna be devastated

ohoho nice like fic name drop right here

omg not zuko popping up at the MOST convenient time in the least dramatic way possible??? shocked but also not surprised bc it’s making perfect sense narrative wise

wheezing at zuko being consistently unpredictable bc ykw the only reason nobody can figure out what he’s planning is bc my boy simply does not have one!! ever!! and it’s legend behaviour actually I think it might be the reason he’s my fav character

okay okay okay at least sokka and zuko have bato with them for child wrangling purposes bc they need an adult. but oh no hakoda is aloooone

zuko you dumbass motherfucker did you just SURRENDER YOURSELF

ykw I take back what I said about him never having a plan being my fav thing about him I have come to my senses and have reconsidered.

ZUKKA KISS??? it’s tragic.

it’s so fucked up that ara and sokka are gonna become friends again bc their bfs got taken hostage but I’m here for it

HOLY FUCK SHIT YEAH SUKIIIIIIIIIIIIIIIII

MAI AND TY-LEE OMG MY GIRLS ALL MY GIRLS ARE COMING ITS HAPPENING ITS NOT A DRILL OMG SREEDIE YOU DONT UNDERSTAND IM GOING FERAL

A Z U L A

okay so obviously appa is under lake lagoli right

and yes I’m very relieved that shen and zuko are together at least BC NOW WE CAN GET SOME MORE QUALITY BANTER AND THATS ENOUGH COMPENSATION FOR THE TRAUMA RIGHT

RIGHT??

reunion soon :3

anyways why did I think this would actually end okay with zukka and bato off frolicking to ba sing se?? how am I that delusional?? it’s like I don’t know you

I HOPE YOU TAKE A REFRESHING NAP AND RECOVER FROM THIS DOOZY OF A FINALE BUT ALSO I AM WAITING IN ANXIOUS ANTICIPATION FOR THE NEXT BOOK ITS GOING TO BE THE LONGEST AND MOST HORRIFIC JOURNEY TO A ZUKKA REUNION EVER AND I CANNOT WAIT also bc you don’t write zuko pov that means we’re gonna get a lot more shen pov?? which I think will be really fun so that’s exciting too

LOVE YOU TO BITS AND PIECES

leekie <3

OH MY GOSH, if you keep flirting with me we might just have to tear up our divorce papers and move in together.

Hahah Hakoda’s reaction to the watchtower is exactly how I envisioned it. Sarcastic & pretend shock lol.

Katara’s honesty is finally catching up with her, getting her in trouble with the Dai Li that is. But she is a strong girl and she can hold her own, I know she’ll be ok!

Ok I love that you brought up toph because sometimes I feel like fics make her out to be a lie detecting, punching, sarcastic person and just leave it at that. But she is so much more than that, all the female characters are! I hope I can do them justice.

Zuko does have a plan!!! “Don’t let Sokka get hurt” - that’s it, that’s the plan. Haha.

I hope Shen doesn’t die… but also, I can’t make any promises.

SUKI IS ON THE WAY TO HELP SOKKA!!! & azula is on the way to bomb him lol.

Im sure it’ll be fine, I love you! You’re amazing. But I also hate you because we are divorced and GRRRRRRR, but secretly we’re still hooking up and it pretty obvious but shhhh don’t tell anyone. ;)

:D

[whoree321]

the bad batch + what romance/rom com movies they watch with you

each of the bad batch x gn!reader

ok first and foremost i really truly believe to the pits of my soul that every single one of these fuckos loves romances and you cannot under any circumstances change my mind

ALSO it’s a gender neutral reader except kinda in echo’s theres like a very brief quote regarding breasts but like i still think even that is pretty gender neutral tbh

so anyway

Hunter: Pretty Woman

this is not the first time that i have publicly declared that i think hunter has a deep rooted connection to the movie pretty woman and it will not be the last

first of all this movie is incredibly soothing to hunters overwhelming savior complex

second of all hunter is literally richard gere (debonaire but emotionally distant gentleman that learns to love) and julia roberts (hooker with a heart of gold) at the same time

he was a little skeptical the first time you put it on but he instantly fell in love with it

the humor, the sensuality, the class divide, the glamour, the unconventional cinderella story of it all. it just really butters his bread

after the first time, when you suggest watching a movie and you pick this one he’ll act very aloof about it (“whatever you want cyar’ika, it doesn’t matter to me”) but secretly he’s really really happy bc it’s one of his favorites (you def know this and def pick it more often)

he absolutely hates the scene when stucky the lawyer hits vivian. like it doesn’t matter how many times he watches it he will fully turn his head away from the screen and say “I don’t like this part” and when it’s over he nuzzles a little closer into you and very tenderly kisses your forehead

he loves the soundtrack too. like he fully exposes how much he likes the movie when you catch him singing or humming “pretty woman” or “it must have been love” absently to himself (you kept it to yourself for a while but eventually you just had to tease him about it. he just smiled a little sheepishly and admitted he liked the songs before promptly changing the subject)

hunter also lowkey definitely wants to recreate the ending where richard gere shows up to her apartment in the white limo with you bc he thinks it’s such a sweet gesture and he wants to treat you like royalty

Crosshair: 10 Things I Hate About You

if there’s one thing about crosshair it’s that he’s a sucker for the enemies to lovers genre

maybe its just him projecting (spoiler alert it most certainly is) but he really enjoys watching the drama conflama of a miserable bastard be tricked into love

and really that’s the true essence of 10 Things I Hate About You

he will grumble and bitch and moan about not wanting to watch a ‘chick flick’ when you put it on, but 15 minutes in and he’s hooked

he has strong negative opinions on literally every single character except for kat and patrick

(crosshair really really wants to think he’s patrick but when it comes down to it he is katarina stratford in every single possible way)

he doesn’t say a word throughout the entire movie but you can tell when he’s annoyed at like bianca or cameron or joey bc he will openly scoff at them

will absolutely hum along in your ear during the “can’t take my eyes off you” scene and make out with you during the paintball scene

(seriously he wants to be patrick verona so bad)

when it’s over and you ask him what he thought he’ll roll his eyes and say “i guess it could have been worse” but his little smirk let’s you know he enjoyed it a lot more than he’s willing to admit

Tech: 50 Shades of Grey

ok hear me out on this one

tech is a huge movie talker. like subtitles are a non-negotiable if you wanna be able to take in any of the movies dialogue bc tech is most likely gonna make commentary over it the whole time

this makes him absolutely indescribably so much fun to watch bad/corny movies with

he will go off about EVERYTHING. the plot, the dialogue, the acting, the costuming, the music, the production quality. nothing and no one is safe. whether you just enjoy letting him talk at you or you join in on the roast, cheesy movies are a hoot between you two

and honey. 50 shades is one of THE cheesiest movies ever

you and tech will literally spend the entire duration of the movie tearing it to shreds

and the thing is tech is a very sarcastic, funny guy when he wants to be (and when it comes to you he definitely wants to be) so by the end of it he will have you in absolute stitches from laughing at the ridiculousness of both the movie and him

with any of the other batchers watching a movie like this either turns into a shy, slightly awkward experience (wrecker, echo) or an incorrigibly horny experience (crosshair, hunter)

but in this context tech literally has no shame or squeamishness about sexual things (why should he it’s a natural biological process?) so to yall the sex stuff is just another thing to roast

literally christian grey could be fully tying dakota johnson down and flogging her and tech will be like “in the last 3 minutes they have panned up to her nipples 4 times. this is criminally shoddy cinematography”

even tho he’s busy giving a detailed play by play critique, he never fails to keep some sort of physical contact with you (wrapping an arm around you and running his hand up and down your skin, playing with your fingers or your hair) so you know he’s enjoying spending this time with you despite his nasty words about the movie

also 1000% after you watch it tech will do extensive research on the ins and outs of bdsm and will have lots of hypotheses he wants to test out (as long as you’re willing and able ofc) ;)))

Wrecker: 13 Going On 30

of all the bad batch members, wrecker is the only one who unabashedly loves any movie that could be considered a chick flick

like he doesn’t even try to hide it or act like he’s too masculine for it. he loves romance and he’s proud of it

this man will have full marathons with you. rom coms, regular roms, tragic roms, hallmark roms, you name it and he’s game

his absolute favorite tho is 13 Going On 30

i feel like he has a huge soft spot for childhood best friends to lovers stories like he finds that type of lifelong partnership so endearing (and he loves to live vicariously through jenna since that type of romance was obviously never an option for him)

wrecker is also very childlike at heart and i think the idea of a 13 year old sweetheart trapped inside the body of a 30 year old cut throat magazine exec is so amusing to him (and maybe makes him feel just a little bit represented in the media)

he is definitely the type to completely engulf you in a cuddle for the entirety of the movie and he DEFINITELY cries into your shoulder at matty’s wedding when jenna is crying on the stoop with her dream house

he wants to try razzles so bad. like so bad. i think if he ever came across them somewhere he would barter at least one of his brothers for them

wrecker really just loves love and watching movies about it just reminds him of how lucky he is to have his own love story with you <3

Echo: The Princess Bride

i feel like it’s glaringly obvious why echo loves this movie

pirates. sword fighting. decades long revenge plots. the value of an honorable, loyal man. true love that never wavers even in the face of devastating tragedy and the darkest of hardships. clever but goofy humor.

echo considers this an action/adventure movie and NOT a romance movie (even tho it 100% totally is a romance movie) and requests to watch it very frequently

he can quote the whole thing. i’m seriously telling you echo loves the princess bride with his whole chest

even tho he refuses to admit it’s a love story above all else, he really does try to model himself in your relationship after wesley

like especially given what happened at the citadel and all the time you thought he was dead, the cinematic parellels are alive and present in y’alls relationship and he strives to be even half the man to you that wesley is to buttercup

literally in your day to day life he will sometimes respond to your requests with a smooth “as you wish ;)” (it doesn’t matter how many times he does it it still gives you butterflies)

when you watch the movie, he snuggles as close to you as possible and does his best to make youre comfy the whole time (he’s insecure about his prosthetics hurting you no matter how much you reassure him they don’t)

he just loves to be able to feel your heartbeat and your laugh when you giggle at the funny bits

every single time without fail at the part when buttercup is about to stab herself he leans down, ghosts his lips against the shell of your ear, and whispers the line in time with wesley: “there’s a shortage of perfect breasts in this world. it would be a pity to damage yours”

every single time without fail you wind up making out until he pulls away and tells you to watch the next part when wesley challenges humperdinck to a duel to the pain

echo just loves you to bits and wants you to know he’d endure a thousand fire swamps for you

Omega: Clueless

i have this really specific obsession with omega being a total girly girl and having very traditionally feminine interests as she keeps experiencing the universe and being exposed to a spectrum of gender expression beyond clone (masc and boring) and kaminoan (ugly)

so with that headcanon of her in mind, it’s vital to me that she sees clueless as soon as possible

clueless is an essential piece of media for a girl entering adolescence and i will die on this hill

it has literally everything you want and everything you need to develop into a well-rounded young woman

it’s so deliciously 90s and glamorama and valley girl humor and camp. its got meaningful female friendships and valuable life lessons and paul mf rudd

if there’s one thing you should encourage a burgeoning hetero teen girl to do, it’s to stick to dating guys like paul rudd in clueless. the earlier this message can be broadcast the better

the second you’re able to steal omega away from hunters watchful eyes (“hunter we’re just gonna watch finding nemo i swear!”) you show her this movie

at this point omega is not really a girly girl, but omega also has absolutely zero feminine influence in her life

the first time she sees clueless she is absolutely obsessed. like seriously she is so enamoured with the glitz and glam of cher horowitz

she asks you questions the entire time. she wants to know about EVERYTHING. the makeup, the clothes, the hair, the slang

(she definitely goes around saying stuff like “i’m totally bugging” for long enough afterwards that almost all of the boys have slipped up at least once with some ridiculous valley girl slang. you thought you were gonna die of laughter when you overheard tech say “as if!” to wrecker in the middle of an argument)

it just really introduces her to this whole world of femininity that she didn’t even know existed and she absolutely loves it

she makes you watch clueless with her seriously once a week at minimum. she begs you to style her hair like tai’s and you can’t help yourself when you happen to run across a little yellow plaid dress and buy it for her on sight

(hunter was gonna scold you for recklessly spending credits until he saw how omega almost cried from how happy she was for the gift)

honestly she enjoys the romance of it all and paul rudd is def her first celebrity crush but she enjoys more that you and her now have this special thing of hair and nails and pretty dresses

she loves how confident and beautiful and special you’re able to make her feel, and you love that you get to bring her that small sense of normalcy and happiness